A witty and often profound look at human behavior and all its absurdities, contradictions, obsessions and phobias.
When Ephron’s humorous essay “How To Eat Like a Child” appeared in the New York Times Magazine, her first “big success,” she knew she had found her calling. In this new collection of essays, she displays that sharply funny and compassionate voice.
The author, who co-wrote the screenplay You’ve Got Mail and the play Love, Loss, and What I Wore with her sister Nora, has written novels for adults and teenagers (The Lion Is In, 2012) and essay collections (Funny Sauce, 1986). Here, her keen observations about family, friends, work and life’s small indignities and deep sorrows leave readers laughing out loud one moment and tearing up the next. In her loving essay “Losing Nora,” she grapples with grief, the complexities of sisterly love and sibling rivalry while paying tribute to her brilliant, fun-loving, tough-minded sister, who died in 2012. “Am I Jewish Enough?” describes the Ephron "sect of writers." Her parents were Hollywood screenwriters, and all three of her sisters became authors. In their religion, “Laughter was the point, not prayer, and the blessing, ‘That’s a great line, write it down.’ ” In “Why I Can’t Write About My Mother,” Ephron reveals her madcap family’s dark side. Her parents took to alcohol like Nick and Nora Charles, and nights were often filled with “drunken brawls and raging fights.” In this alcoholic haze, her emotionally distant mother became even more elusive. Ephron knows a few things about her—e.g., she abhorred conformity and insisted her daughters would have careers—but she can never break through the surface of this accomplished woman who wore one-liners like armor.
A witty and often profound look at human behavior and all its absurdities, contradictions, obsessions and phobias.Pub Date: Sept. 17, 2013
ISBN: 978-0-399-16655-6
Page Count: 272
Publisher: Blue Rider Press
Review Posted Online: July 29, 2013
Kirkus Reviews Issue: Aug. 15, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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