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SISTER MOTHER HUSBAND DOG

ETC.

A witty and often profound look at human behavior and all its absurdities, contradictions, obsessions and phobias.

When Ephron’s humorous essay “How To Eat Like a Child” appeared in the New York Times Magazine, her first “big success,” she knew she had found her calling. In this new collection of essays, she displays that sharply funny and compassionate voice.

The author, who co-wrote the screenplay You’ve Got Mail and the play Love, Loss, and What I Wore with her sister Nora, has written novels for adults and teenagers (The Lion Is In, 2012) and essay collections (Funny Sauce, 1986). Here, her keen observations about family, friends, work and life’s small indignities and deep sorrows leave readers laughing out loud one moment and tearing up the next. In her loving essay “Losing Nora,” she grapples with grief, the complexities of sisterly love and sibling rivalry while paying tribute to her brilliant, fun-loving, tough-minded sister, who died in 2012. “Am I Jewish Enough?” describes the Ephron "sect of writers." Her parents were Hollywood screenwriters, and all three of her sisters became authors. In their religion, “Laughter was the point, not prayer, and the blessing, ‘That’s a great line, write it down.’ ” In “Why I Can’t Write About My Mother,” Ephron reveals her madcap family’s dark side. Her parents took to alcohol like Nick and Nora Charles, and nights were often filled with “drunken brawls and raging fights.” In this alcoholic haze, her emotionally distant mother became even more elusive. Ephron knows a few things about her—e.g., she abhorred conformity and insisted her daughters would have careers—but she can never break through the surface of this accomplished woman who wore one-liners like armor.

A witty and often profound look at human behavior and all its absurdities, contradictions, obsessions and phobias.

Pub Date: Sept. 17, 2013

ISBN: 978-0-399-16655-6

Page Count: 272

Publisher: Blue Rider Press

Review Posted Online: July 29, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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