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THE MAN WHO BROKE INTO AUSCHWITZ

A TRUE STORY OF WORLD WAR II

A unique war story from a brave man.

Submerged memories of a remarkable encounter in Auschwitz drove an aged British World War II veteran to reveal his plainspoken, moving story—assisted by BBC journalist Broomby.

Avey admits he did not join the army in 1939 “for King and Country,” but rather for adventure; as a strapping farm boy, he proved a crack rifleman and a natural-born leader. After ordeals fighting Mussolini’s forces in Libya and General Rommel’s forces in North Africa, he was taken prisoner in 1944 and transported to Auschwitz, where he was enlisted to help build a massive rubber factory by the IG Farben company. Though English prisoners were treated fairly well, they toiled alongside a separate group of miserable, starved wretches the English called “stripeys,” because of their tattered pajama-like outfits, hardly human “moving shadows” who were barely strong enough to lift anything—the Jews. Gradually, Avey befriended several of the crew, including a man named Ernst and learned that the Jews were simply worked to death (unlike the Englishmen), then vaporized “up the chimney,” sending out the sickly sweet odor Avey had noticed. “The scales were lifted from my eyes,” he writes, and he arranged with another Jewish prisoner, Hans, to switch clothing so that Avey could infiltrate the Jewish barracks for a night and Hans could eat and rest in the British prisoners’ camp. It was a perilous ploy, but it worked, and Avey was duly horrified by the brutal conditions and life-saving mechanisms. He wrote to his mother in coded language about the camp details and to contact Ernst’s sister in England. Upon liberation, both Avey and Ernst were force-marched west, but neither knew what happened to the other. The author’s post-traumatic torment after the war—when no one wanted to listen to the truth so that the young soldier simply sealed up—underscores the importance of treatment for soldiers and prisoners.

A unique war story from a brave man.

Pub Date: July 5, 2011

ISBN: 978-0-306-81965-0

Page Count: 288

Publisher: Da Capo

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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