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GO, SHAPES, GO!

The title will surely inspire children to create and deconstruct their own geometric dramas.

Fleming’s signature pulp-painted backgrounds set the stage for a performance featuring an assemblage of shapes; created from patterned handmade papers, the forms are choreographed in their activity by a madcap mouse on wheels.

“Slide, SQUARE, and start the show!” he cries, zooming around the double-page spreads. The labeled shapes, from “small ovals” to “thin rectangles,” cross each gutter from verso to recto as the pages turn, until the contours of a creature are discernable. Children will enjoy predicting at various points in the narrative; a monkey would be the correct guess for the first animal. Motion lines drawn with pastels combine with expressive verbs, rhyming couplets and playful phrases to animate the narrative: “Bibbity bop!” Although Fleming presents a veritable smorgasbord of early learning (shapes, colors, directions and concepts), there is also a dramatic arc with tension and humor. When the mouse careens into the loosely placed papers, they scatter and re-form—into a cat! The denouement is a bit untidy, leaving readers with inquiring minds questioning what happens to the feline, after a page turn reveals a new monkey made with different paper, but they will feel relief that all’s well that ends well.

The title will surely inspire children to create and deconstruct their own geometric dramas. (Picture book. 2-6)

Pub Date: Oct. 7, 2014

ISBN: 978-1-4424-8240-1

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

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The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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