An engrossing emotional drama, both shocking and thoughtful.
In this novel, an adopted woman finally finds her birth mother and father, a remarkable discovery that delivers both joy and confusion.
Elizabeth Schmidt had a pleasant upbringing, but as an adopted child, she felt the pangs of a haunting incompleteness. The difference between her and her adoptive family “lay silent and undisturbed between us like a sleeping dog with an uncertain pedigree.” Despite Elizabeth’s great academic and professional success, her personal life is not fully satisfying despite three marriages and five children. Then her adoptive mother, Marie, lets it slip that she received a communication from Alice Maher, Elizabeth’s birth mother’s sister, possibly about an inheritance of some kind, but proceeded to destroy the letter. Elizabeth decides to find Alice—she even hires a private detective—and learns that her mother, Liddy, is actually alive, despite Marie’s declarations to the contrary. Martin, with great subtly and sensitivity, chronicles Elizabeth’s poignant search for her true self and her yearning to fill the “proverbial black hole” of her unknown ancestry. But Elizabeth’s initial euphoria after locating Liddy discovers a darker counterpoint when she also finds her father, Ned, and falls romantically in love with him. Elizabeth soon realizes that Liddy, despite being married to a man named Andy, harbors her own romantic designs on Ned. Martin’s tale is a complex, entangled one filled with unpredictable twists and turns. The story forthrightly discusses the astonishingly illicit affair between Elizabeth and Ned, a provocative subplot handled without a hint of prurient sensationalism. The author deftly shows the emotionally bifurcated world that Elizabeth now inhabits: “But at that moment, I realized I was more like Marie than Liddy. Applying a suitcase full of makeup to perfect my facial features or wearing sexy clothes to draw attention to myself was simply not who I was. Any attempt to reconfigure me as such was destined to fail. Although the beautiful world of Liddy attracted me, I lived in the unadorned and practical world of Marie.” This is a moving novel, crackling with sexual volatility and emotional intelligence.
An engrossing emotional drama, both shocking and thoughtful.Pub Date: Sept. 8, 2022
ISBN: 978-1-73523-884-5
Page Count: 336
Publisher: Misericordia Publishing, USA
Review Posted Online: Aug. 18, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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