Even for true-crime podcasters, the truth is tough to find in this brisk, entertaining thriller.
A missing woman and a rediscovered religious artifact drive a fast-paced chase by two podcasters and a possible con man.
When Anna McDonald and Fin Cohen leave Glasgow for a family weekend at a rental house, she expects minor disasters. She and Fin are work partners in a popular true-crime podcast, but their domestic situation is intertwined as well—her ex and his ex are now a couple, and all of them are co-parenting Anna’s two young daughters. They all get along, but a new addition to the mix is Sofia, Fin’s young, pretty, poison-tongued girlfriend. So Anna is glad to be distracted by news of the disappearance of a young woman named Lisa Lee—a story that’s a prime candidate for their podcast. Lisa is part of an online community centered on urban exploring, UrbEx for short—people who break into abandoned properties and livestream what’s inside. Lisa vanished from her home near Glasgow shortly after she aired a visit to a creepy French chateau full of religious artifacts. And now one of those artifacts, a sealed silver box, is making news. It’s about to be sold at a Paris auction house, and there are rising rumors that it’s a long-missing object called the Voyniche Casket, said to contain a mysterious proof of the resurrection of Christ. The seller is anonymous; the question for Anna and Fin is what its sale has to do with Lisa’s disappearance. Then Fin gets a text from someone named Bram van Wyk wanting to know if they can help him contact Lisa. As the pair piece together Lisa’s background and the history of the Voyniche Casket, they also research Bram and find that he’s a well-known South African antiques dealer with his own sketchy past. When Anna and Fin flee their family holiday for work-related reasons back in Glasgow, Bram, rather alarmingly, shows up at Anna’s house, offering to help find Lisa. He has his surly 12-year-old son, Marcos, in tow. Bram charms them into coming to Paris for the auction with him (he has a private plane), kicking off a mad dash around Europe. It’s clear he’s a con man, but how much so? Are Anna and Fin unwilling players in an elaborate ruse, or are their lives in danger? Mina keeps the plot charging at a breathless pace, and Anna is an engagingly tart narrator.
Even for true-crime podcasters, the truth is tough to find in this brisk, entertaining thriller.Pub Date: July 5, 2022
ISBN: 978-0-316-24272-1
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
Despite the stakes, the heroine’s second adventure is a generally lighthearted anti-caper.
Gabriela Rose, the recovery agent famed for being able to find almost anything, goes looking for the Rosetta Stone. And that’s only the beginning.
You didn’t know the Rosetta Stone was missing? That’s because the British Museum, wanting to keep its theft hush-hush, has been displaying a copy in its place. And Gabriela’s involvement is equally secretive. Her ex-husband, Rafer Jones, has pressed her to find it because his idiot cousin, Harley Patch, who improbably became president of the Searl and Junkett bank, has taken it upon himself to insure a slew of priceless artifacts—many of which have now gone missing. The stone, as it turns out, is surprisingly easy to find. Following the trail of Leon Blake, a new operations officer at the museum who quit two days after the theft, and John Mackey, a museum security guard who was shot to death that same day, Gabriela successfully beats out rival recovery agent Ahmed Ed Ghaly, who’s been tasked with bringing the stone back to Egypt, in the hunt. An altogether more elusive prize is the golden inner coffin of Tutankhamen’s half brother, unofficially dubbed “Brendan.” This search is more dangerous, too, because Ahmed kidnaps Harley to make sure that Gabriela turns the coffin over to him. Jim, the Cairo cabbie Gabriela hires to drive her around, takes to calling himself Jim Bond once he sees her in action; and he’s on to something—not because the fate of the free world hangs in the balance, but because “the heist to end all heists” gradually dissolves into an amusing, episodic travelogue whose climax feels like just one more picturesque tableau.
Despite the stakes, the heroine’s second adventure is a generally lighthearted anti-caper.Pub Date: Nov. 11, 2025
ISBN: 9781668027479
Page Count: 352
Publisher: Atria
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
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