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THE GOOD LIAR

A shocking but satisfying ending caps off this taut tale of murder among the privileged.

A moment of triumph turns into terror in this dark thriller.

Claudia Atkins O’Sheil is about to enter what should be a celebration. A forensic examiner, she’s created a method of blood-spatter analysis that’s a huge success, boosting not only her reputation but that of her mentor and boss, Lord Philip Ardmore. The party at the Royal College of Forensic Scientists in London is meant to praise her, but she’s quaking with fear because she intends to reveal a secret that will destroy everything. Flashback to a similar party exactly a year ago. She was reeling then, too, still reacting to the recent, sudden death of her beloved husband, James, a lawyer. She was struggling to raise their two teenage sons alone, but at least her career had taken a turn for the better. That gala is interrupted, though, when she and Philip are called to the scene of a gruesome double murder. It isn’t so Claudia can evaluate the blood spatter (although she does)—it’s because one of the victims was one of Philip’s oldest friends. Jonty Stewart and his much younger fiancée, Francesca Emmanuel, had been stabbed to death, and their trained guard dog had been shot. Everything points to the murder being personal, not random, and in short order there’s an arrest. But Claudia isn’t convinced, and she can’t help investigating, even though it’s not her job. Charlie Taunton, James’ colleague and friend, gently warns her off as he tries to renew his on-again, off-again (and not always healthy) relationship with Claudia’s sister, Gina. An addict who’s sober at the moment, Gina is living with Claudia and helping with the boys, but she’s always been a loose cannon. Mina has long been adept at suspenseful pacing and at creating flawed but engaging characters, and here she paints Claudia as something of an anthropologist—a Glasgow native, she’s constantly trying to interpret the codes and hierarchies of the English upper classes. As her search for the killer intensifies, it both expands into other dark doings and draws alarmingly close to home.

A shocking but satisfying ending caps off this taut tale of murder among the privileged.

Pub Date: July 29, 2025

ISBN: 9780316243049

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE FINAL TARGET

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

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An author is targeted by a fan who just can’t let her go.

Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

Pub Date: May 26, 2026

ISBN: 9781250413581

Page Count: 432

Publisher: St. Martin's

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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