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THE SECOND MURDERER

A PHILIP MARLOWE NOVEL

Female-forward in all sorts of ways—quite a change of pace for the legendary gumshoe.

The versatile Mina adds still another arrow to her quiver in this authorized pastiche in which Raymond Chandler’s hard-boiled private eye searches for a woman who definitely doesn’t want to be found.

In fact, Marlowe’s strong impression is that wealthy LA patriarch Chadwick Montgomery III doesn’t really want to find Chrissie, his daughter and heir; he’s chosen Marlowe’s one-man agency, the narrator/hero decides, to look for her because he wants to keep the investigation under wraps and end in failure. Instead, Marlowe locates Chrissie, who was “easier to find than an optimist in a casino,” in less than a day and then has to decide what to do next. Chrissie would rather work as “Joan Baudelaire” at Peggy Zimmerman’s art gallery than return to the home of her intolerant, abusive father and his enigmatic secretary, Anneliese Lyle. The decision about her fate isn’t Marlowe’s alone, however, since the all-female detective agency headed by Anne Riordan, whom Marlowe met 83 years ago in Farewell, My Lovely, turns out to be on her trail as well. When Marlowe discovers Chrissie—who’s gone to the seedy Brody Hotel apparently to meet a nonexistent fellow named Peter West—standing over the corpse of a man who reportedly died months ago several thousand miles away, the case instantly becomes more urgent. But Mina’s pastiche, less literal than Robert B. Parker’s Poodle Springs (1989) and less glum than Benjamin Black’s The Black-Eyed Blonde (2014), is more playful in its early stages, as Mina cheekily piles on Marlowe’s trademark similes, though it darkens considerably as it approaches its fade-out.

Female-forward in all sorts of ways—quite a change of pace for the legendary gumshoe.

Pub Date: Aug. 1, 2023

ISBN: 9780316265645

Page Count: 272

Publisher: Mulholland Books/Little, Brown

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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