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THE COMMUNIST’S DAUGHTER

A slow, sure novel that burns away the glamor of war.

A fictionalized account of the life of Norman Bethune, the Canadian war physician.

The narrative, composed of a series of letters, begins at the end of Bethune’s life. Addressed to a daughter he has never seen, Bethune’s letters at first seem merely informative. They include rambling accounts of growing up as the son of a strict minister, his eventual break with his father’s religion, his first unhappy marriage and, finally, his decision to fight in World War I and then join the republican cause as a doctor in the Spanish Civil War. The letters are framed by his current life at a makeshift hospital in China where he aids Chairman Mao’s campaign to drive the nationalists out of the mainland. Action-packed to be sure, and yet, the letters become more searching, weaving together world events with a history of Bethune’s love affair with Kajsa, a Swedish woman he meets in Spain during the war who becomes the mother of his daughter. Bock’s masterful narration gives a sense of the urgency of this world-changing moment, and of the exhilaration of being a player on a world stage, and from this emerges an unexpected portrait of Bethune as a manipulative narcissist who specializes in hiding his pettiness under a cloak of disinterested nobility. Bedazzled by war, Bethune trembles with awe when he meets Mao, but he cannot manage to maintain even the semblance of good relations with colleagues who are at least as committed as he to serving a common cause. Blind to everything but his high motives, he does not seem to register that Kajsa is under suspicion of being a spy. The novel’s strength lies in its masterful revelation of Bethune’s paradoxical combination of dishonesty and highmindedness. Bock (The Ash Garden, 2001) paints a picture of a fundamentally amoral, if politically pious, man who does not see that he loves war more than he loves peace.

A slow, sure novel that burns away the glamor of war.

Pub Date: Feb. 16, 2007

ISBN: 1-4000-4462-6

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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