THE AMERICA'S CUP

THE HISTORY OF SAILING'S GREATEST COMPETITION IN THE TWENTIETH CENTURY

America’s Cup winner Conner (The Art of Winning, 1988) and sailing writer Levitt’s history of the most visible race in sailing blends politics, rarified technology, personalities, and a healthy dose of the sport’s runic patois in thorough, if prolix, fashion. Even though the competition remains “as fitting a measure of a nation’s place in the world as any sport is,” as Conner would have it—the book is written in his voice—the nature of the America’s Cup has changed drastically over the last 150 years. Once a clubby venue for the rich, it now allows ordinary Joes and Janes to get a shot (Connor makes much of his middle-class status) if they can wheedle the corporate bucks; whereas before, courage, execution, and nautical savvy made up the winning formula, today must be added scientists, technicians, meteorologists, organizers, and lawyers. But one element has remained steady as the western wind: controversy. With such personalities involved as the dastardly Lord Dunraven, brash Ted Turner, and the backdoor-maneuvering Sir Michael Fay; with the baroque rules of the governing Deed of Gift, and the skulduggery involved in sail-making and keel design; and considering the willingness of the contestants to hurl numerous protests at one another, how could it have been otherwise? Conner does a good job explaining the above, as well as the complexity of the event, from the radical boat designs to behind-the-scene dealings to tactical decisions made when under sail. But best of all is the simple fact that Conner is an insider unafraid to criticize or compliment both his rivals and himself (such as his less-than-savory use of a loophole in the Deed to sail a catamaran in the 1988 defense) and to back up his remarks with intelligent opinions. While the amount of detailing makes the book a sailor’s dream and a lubber’s chore, anyone even remotely interested in the America’s Cup will find plenty of nuggets here to keep their curiosity perking. (b&w photos, not seen)

Pub Date: July 1, 1998

ISBN: 0-312-18567-7

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1998

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One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

BACK FROM THE DEAD

A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”

Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

Pub Date: March 8, 2016

ISBN: 978-1-4767-1686-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Dec. 19, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading...

CONCUSSION

A maddening, well-constructed tale of medical discovery and corporate coverup, set in morgues, laboratories, courtrooms, and football fields.

Nigeria-born Bennet Omalu is perhaps an unlikely hero, a medical doctor board-certified in four areas of pathology, “anatomic, clinical, forensic, and neuropathology,” and a well-rounded specialist in death. When his boss, celebrity examiner Cyril Wecht (“in the autopsy business, Wecht was a rock star”), got into trouble for various specimens of publicity-hound overreach, Omalu was there to offer patient, stoical support. The student did not surpass the teacher in flashiness, but Omalu was a rock star all his own in studying the brain to determine a cause of death. Laskas’ (Creative Writing/Univ. of Pittsburgh; Hidden America, 2012, etc.) main topic is the horrific injuries wrought to the brains and bodies of football players on the field. Omalu’s study of the unfortunate brain of Pittsburgh Steeler Mike Webster, who died in 2002 at 50 of a supposed heart attack, brought new attention to the trauma of concussion. Laskas trades in sportwriter-ese, all staccato delivery full of tough guyisms and sports clichés: “He had played for fifteen seasons, a warrior’s warrior; he played in more games—two hundred twenty—than any other player in Steelers history. Undersized, tough, a big, burly white guy—a Pittsburgh kind of guy—the heart of the best team in history.” A little of that goes a long way, but Laskas, a Pittsburgher who first wrote of Omalu and his studies in a story in GQ, does sturdy work in keeping up with a grim story that the NFL most definitely did not want to see aired—not in Omalu’s professional publications in medical journals, nor, reportedly, on the big screen in the Will Smith vehicle based on this book.

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading it.

Pub Date: Nov. 24, 2015

ISBN: 978-0-8129-8757-7

Page Count: 288

Publisher: Random House

Review Posted Online: Sept. 15, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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