Cooper (Closer, ) specializes in graphic forays into the punk/gay subculture of pornographic sex and mad-slasher violence. To justify such indulgence, he layers the narrative with references to Sade and Genet, his patron saints—but his latest, about a narrator obsessed with fantasies of sexual mutilation, fails to transform voyeurism into art, despite its pretensions. Narrator ``Dennis'' is fixated on death and sex, especially when the two are combined as a way to gain esoteric knowledge. While AIDS has made it more difficult here to romanticize death in that way, Cooper assembles his usual assortment of fetishes, embodied in such characters as Julian (``as far as I'm concerned, love's what you feel for someone you don't know very well, if at all''); Julian's kid brother Kevin (``a Julian replica, only shorter, and sort of too pretty''); and Henry (``Sometimes...I wish I could just sort of temporarily die''). Cooper on one level paints a grotesque, effective portrait of disaffected and marginalized homosexuals, but he overplays his hand so garishly that much of this reads like self-parody or black humor, depending on your tastes. At any rate, it comes to a finish in Holland, where Dennis has gone to live, writing back to Julian about men and boys he has murdered in a series of ritualistic killings. But Julian, fascinated, arrives with Kevin only to discover that it's all a figment of Dennis's imagination. On the train, Julian is left with pleasant memories of Dennis—not ``the psychotic me, but the teenager gazing purposefully into the holes in boys' bodies.'' Only Cooper's ability to get away with murder saves this from being a total put-on, for at least he does offer a sober glimpse of aimless dissipated lives. It's too bad that his conventional pseudo-clinical treatment of such lives is more jaded and monotonous than revelatory.
Pub Date: May 1, 1991
ISBN: 0-8021-1399-0
Page Count: 144
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1991
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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