The ever-transgressive novelist attempts a high-toned novel about rape, incest and cannibalism.
The narrator of the latest novel by the prolific and profane Cooper (Ugly Man, 2009, etc.) is a wealthy Frenchman who, as the story opens, is purchasing a chateau from a family with some deeply unsettling (if typically Cooper-esque) issues: The owner has been spying on his two sons’ sexually abusive relationship, a dysfunction that ultimately leads to one brother being murdered and the narrator abducting the other for culinary purposes. If that all sounds unappealing, there’s little in the way of moral resolution going forward. But Cooper isn’t simply going for shock value; he wants to investigate the behavioral and linguistic tics that accompany violence and madness. The “marbled swarm” of the title refers to the artful, brocaded language that the narrator’s father used—“trains of sticky sentences that round up thoughts as broadly as a vacuum.” That doesn’t make the catalogue of atrocities much easier to take, but it does clarify Cooper’s intentions, and in truth those sticky sentences have a black-humored charm; the reader is drawn into his twisted rationalizations even while he openly confesses he’s trying to recruit the reader to support his indefensible behavior. That grows difficult as the story becomes more perversely complicated. The narrator details his half-brother’s life among a sullen cult of manga-loving “Flatsos,” people who fantasize about being steamrollered flat, and drug abuse abounds, as do homes filled with plenty of metaphorically fraught secret passages. Cooper is careful to calibrate the story’s repulsive elements with more philosophical considerations of double lives and the nature of seduction, though the novel doesn’t so much resolve as exhaust itself. A button-pushing portrait of sex and rage, told with Sade-esque fervor, but is it futile to ask for more coherence from a madman's laments?
Pub Date: Nov. 1, 2011
ISBN: 978-0-06-171563-1
Page Count: 208
Publisher: Perennial/HarperCollins
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 15, 2011
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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