A tender, if unlikely, episode that affirms the value of both the written and the spoken word. When a bookish young woman, summering alone in a rustic cabin, sees that a curious bear is spying on her, she calmly begins reading aloud. Day after day the bear returns to hear more, not understanding the words, but responding to the feelings and expression in the woman’s voice. At summer’s end, she leaves her books behind, so the bear carefully carries them to his den, hearing as he sleeps among them, her voice “telling him a tale of adventure, and magic, and love.” Reflecting the story’s mystical air, LaMarche’s (Albert, 2001, etc.) woodland scenes are all hazy edges and diffuse light; his fine-featured, casually dressed reader projects an air of serenity unruffled by the huge, shaggy ursine listener crouching at her feet. Despite the bear’s bulk, there’s never a hint of tension or danger; instead, Haseley’s measured prose and the illustrator’s warmly harmonious palette combine to imbue the (seemingly) ordinary act of sharing a book with a deep sense of wonder. And adults willing to look beneath the surface will find a message about the value of reading to preverbal children, too. (Picture book. 6-9)
Pub Date: April 1, 2001
ISBN: 0-15-200239-1
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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