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THE ART OF THE PIMP

ONE MAN'S SEARCH FOR LOVE, SEX, AND MONEY

Those seeking depictions of graphic sex and the ins and outs of prostitution will dig Hof’s salacious memoir. Others should...

In this sex-drenched memoir, the proprietor of the Las Vegas brothel the Moonlite BunnyRanch spills his guts about the joys of running a stable of women.

Readers may think that such an individual would be completely unsavory, but as it turns out, he's only partly unsavory. Hof comes across less as a dirty old man—he's even a bit of a romantic, as witnessed by his lifelong pursuit of love—and more as a businessman, albeit one who is acutely aware of how and why his business works. (He was a regular BunnyRanch customer before he took it over in 1993.) Throughout the book, the author brings other voices to the mix to share their experiences of Hof and the BunnyRanch, including celebrity madam Heidi Fleiss, Chicago-based radio personality Mancow, a goodly number of the bunnies, and, most notably, porn legend Ron Jeremy, who infuses the proceedings with his trademark good-natured sleaze. The most emblematic portion of the book is an eight-page section in which Hof teaches Sunny Lane on how to be the finest whore she can be, going into graphic detail about how to get into a john's head and, most importantly, his wallet over and over again. Hof takes himself more seriously than one would expect, considering that one of his nicknames is "the P.T. Barnum of Booty," but that's probably why the BunnyRanch has thrived for the last two-plus decades under his watch—and it shows no sign of slowing down. All readers are aware that sex sells, and Hof unquestionably knows how to sell sex. Whether or not that's a good thing is for readers to decide.

Those seeking depictions of graphic sex and the ins and outs of prostitution will dig Hof’s salacious memoir. Others should steer clear.

Pub Date: March 17, 2015

ISBN: 978-1-941393-27-7

Page Count: 352

Publisher: Regan Arts

Review Posted Online: Feb. 23, 2015

Kirkus Reviews Issue: March 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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