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THE DRAGONSTONE

A fantasy novel set in McKiernan's ``Mithgar,'' very much of a piece with the others in this popular series (The Voyage of the Fox Rider, 1993, etc). The one at hand is a generic adventure that might come straight from a role-playing game, right down to the opening scene, where our intrepid heroines Lady Arin and Aiko (an elf and a female samurai) enter a disreputable tavern in search of a one-eyed man, in fulfillment of an obscure prophecy. They end up with not one but two candidates: the local drunk, Alos, and a recently wounded warrior, Egil. Lacking grounds to choose between the two, Lady Arin decides to bring both along on her quest. We are then treated to a long flashback detailing the prophecy and the nature of the mission, on which, as usual, the Fate of the World depends. A mysterious talisman, entrusted to the order of Mages by the dragons of the world, has disappeared, and the elf and her companions are charged with finding it. So off they go into an episodic plot full of trolls, bards, mages, battles, escapes, a raging maelstrom, and, yes, dragons—adding new members to the company and learning more about the meaning of the prophecy along the way. The narrative too often resembles the random encounters generated by gaming dice, with just enough twists to stave off utter boredom. It doesn't help that some of the characters speak in a pastiche of Elizabethan English, others in stereotyped low rustic, still others in featureless modern dialect. McKiernan's bestseller status shows that there's an audience for this sort of work, and they will undoubtedly flock to his latest. But there is little to suggest that the author has grown in either craft or vision since his earliest attempts at ersatz Tolkien. Fresh fodder for the addicted; others can safely skip it.

Pub Date: Nov. 1, 1996

ISBN: 0-451-45560-6

Page Count: 544

Publisher: ROC/Penguin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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THE BOOK OF KOLI

A captivating start to what promises to be an epic post-apocalyptic fable.

The first volume in Carey’s Rampart trilogy is set centuries into a future shaped by war and climate change, where the scant remains of humankind are threatened by genetically modified trees and plants.

Teenager Koli Woodsmith lives in Mythen Rood, a village of about 200 people in a place called Ingland, which has other names such as “Briton and Albion and Yewkay.” He was raised to cultivate, and kill, the wood from the dangerous trees beyond Mythen Rood’s protective walls. Mythen Rood is governed by the Ramparts (made up entirely of members of one family—what a coincidence), who protect the village with ancient, solar-powered tech. After the Waiting, a time in which each child, upon turning 15, must decide their future, Koli takes the Rampart test: He must “awaken” a piece of old tech. After he inevitably fails, he steals a music player which houses a charming “manic pixie dream girl” AI named Monono, who reveals a universe of knowledge. Of course, a little bit of knowledge can threaten entire societies or, in Koli’s case, a village held in thrall to a family with unfettered access to powerful weapons. Koli attempts to use the device to become a Rampart, he becomes their greatest threat, and he’s exiled to the world beyond Mythen Rood. Luckily, the pragmatic Koli has his wits, Monono, and an ally in Ursala, a traveling doctor who strives to usher in a healthy new generation of babies before humanity dies out for good. Koli will need all the help he can get, especially when he’s captured by a fearsome group ruled by a mad messianic figure who claims to have psychic abilities. Narrator Koli’s inquisitive mind and kind heart make him the perfect guide to Carey’s (Someone Like Me, 2018, etc.) immersive, impeccably rendered world, and his speech and way of life are different enough to imagine the weight of what was lost but still achingly familiar, and as always, Carey leavens his often bleak scenarios with empathy and hope. Readers will be thrilled to know the next two books will be published in short order.

A captivating start to what promises to be an epic post-apocalyptic fable.

Pub Date: April 14, 2020

ISBN: 978-0-316-47753-6

Page Count: 416

Publisher: Orbit/Little, Brown

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE LAST SMILE IN SUNDER CITY

The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and...

The debut novel from Australian actor Arnold is a fusion of paranormal fantasy and mystery set in a world where magic has been effectively destroyed by humans, forcing the supernatural population to live a radically diminished existence.

Fetch Phillips is a “Man for Hire,” which is another way of saying the down-on-his-luck, hard-drinking former Soldier–turned-detective will do just about anything to pay the bills. When a principal from a cross-species school enlists him to find a missing professor—a 300-year-old Vampire named Edmund Rye—Phillips quickly agrees. Without magic, the Vampires—and all other supernatural beings—are slowly dying. So how difficult could it be to find a withered bloodsucker who is so weak he can hardly move around? After visiting Rye’s last residence—a secluded loft space in the local library filled with the Vampire’s research and writings—Phillips discovers that one of Rye’s students is missing as well: a young Siren named January. His investigation becomes complicated when more Vampires turn up dead and he is almost killed himself. While the mystery element of the storyline is a bit thin, the focus on meticulous worldbuilding and highly detailed backstory as well as the cast of fully developed and memorable characters (Simms, the reptilian cop; Peteris, the disfigured half-werewolf; etc.) are unarguable strengths. But the real power here is in Arnold’s use of imagery throughout. His unconventional descriptive style brings a richness and depth to the narrative. Pete’s smile is “like a handbag with a broken zipper,” and the sound of Phillips’ falling from a building is “like someone stepping on an egg full of snails.”

The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and Dashiell Hammett.

Pub Date: Feb. 25, 2020

ISBN: 978-0-316-45582-4

Page Count: 368

Publisher: Orbit/Little, Brown

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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