After an extraordinarily humane series of neo-noirs (Mystic River, 2001, etc.), Lehane has produced a brilliantly...
A pair of US Marshals are sent to an island-bound institution for the criminally insane to find an escaped murderer—in Lehane’s lollapalooza of a corkscrew thriller.
The Cold War is simmering and a hurricane approaching the Massachusetts coast when Edward Daniels and Charles Aule, his new partner, arrive at Ashecliffe Hospital in 1954, the morning after Rachel Solando, a housewife who drowned her three children, has gone AWOL. How did she get out of the third-floor room she’d been locked into two hours earlier without disturbing the door or windows or any of the three orderlies between her and the outdoors? Other false notes seem even more disturbing. Rachel has left behind a series of tantalizingly cryptic clues as to her fate. Chief of staff Dr. John Cawley, Rachel’s psychiatrist, refuses to share his notes on her, his personnel files, or the treatment files of Dr. Lester Sheehan, her group therapist, who left for his vacation on the ferry that brought Teddy Daniels and Chuck Aule to the island. And the two marshals have brought baggage of their own: Teddy’s hunt for an arsonist he’s convinced is an Ashecliffe inmate and Chuck’s suspicion that the patients are being used as guinea pigs for some villainous new psychotropics. Inevitably, the hunters become the hunted, dissatisfied with reports that Rachel Solando has returned, determined to get to the bottom of the mind-altering experiments being carried out in the dread Lighthouse, separated from each other by natural and human assaults, and sought far more urgently by the ultra-secretive authorities than the woman they came to find. Will Cawley and company succeed in having them declared incompetent and preventing them from escaping?
After an extraordinarily humane series of neo-noirs (Mystic River, 2001, etc.), Lehane has produced a brilliantly far-fetched page-turner that’s sure to be the most talked-about thriller of the year.Pub Date: April 15, 2003
ISBN: 0-688-16317-3
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying...
King (Under the Dome, 2009, etc.) adds counterfactual historian to his list of occupations.
Well, not exactly: The author is really turning in a sturdy, customarily massive exercise in time travel that just happens to involve the possibility of altering history. Didn’t Star Trek tell us not to do that? Yes, but no matter: Up in his beloved Maine, which he celebrates eloquently here (“For the first time since I’d topped that rise on Route 7 and saw Dery hulking on the west bank of the Kenduskeag, I was happy”), King follows his own rules. In this romp, Jake Epping, a high-school English teacher (vintage King, that detail), slowly comes to see the opportunity to alter the fate of a friend who, in one reality, is hale and hearty but in another dying of cancer, no thanks to a lifetime of puffing unfiltered cigarettes. Epping discovers a time portal tucked away in a storeroom—don’t ask why there—and zips back to 1958, where not just his friend but practically everyone including the family pets smokes: “I unrolled my window to get away from the cigarette smog a little and watched a different world roll by.” A different world indeed: In this one, Jake, a sort of sad sack back in Reality 1, finds love and a new identity in Reality 2. Not just that, but he now sees an opportunity to unmake the past by inserting himself into some ugly business involving Lee Harvey Oswald, Jack Ruby, various representatives of the military-industrial-intelligence complex and JFK in Dallas in the fall of 1963. It would be spoiling things to reveal how things turn out; suffice it to say that any change in Reality 2 will produce a change in Reality 1, not to mention that Oswald may have been a patsy, just as he claimed—or maybe not. King’s vision of one outcome of the Kennedy assassination plot reminds us of what might have been—that is, almost certainly a better present than the one in which we’re all actually living. “If you want to know what political extremism can lead to,” warns King in an afterword, “look at the Zapruder film.”
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying yarn.Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-2728-2
Page Count: 864
Publisher: Scribner
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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