by Stephen King ‧ RELEASE DATE: Nov. 1, 2011
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying...
King (Under the Dome, 2009, etc.) adds counterfactual historian to his list of occupations.
Well, not exactly: The author is really turning in a sturdy, customarily massive exercise in time travel that just happens to involve the possibility of altering history. Didn’t Star Trek tell us not to do that? Yes, but no matter: Up in his beloved Maine, which he celebrates eloquently here (“For the first time since I’d topped that rise on Route 7 and saw Dery hulking on the west bank of the Kenduskeag, I was happy”), King follows his own rules. In this romp, Jake Epping, a high-school English teacher (vintage King, that detail), slowly comes to see the opportunity to alter the fate of a friend who, in one reality, is hale and hearty but in another dying of cancer, no thanks to a lifetime of puffing unfiltered cigarettes. Epping discovers a time portal tucked away in a storeroom—don’t ask why there—and zips back to 1958, where not just his friend but practically everyone including the family pets smokes: “I unrolled my window to get away from the cigarette smog a little and watched a different world roll by.” A different world indeed: In this one, Jake, a sort of sad sack back in Reality 1, finds love and a new identity in Reality 2. Not just that, but he now sees an opportunity to unmake the past by inserting himself into some ugly business involving Lee Harvey Oswald, Jack Ruby, various representatives of the military-industrial-intelligence complex and JFK in Dallas in the fall of 1963. It would be spoiling things to reveal how things turn out; suffice it to say that any change in Reality 2 will produce a change in Reality 1, not to mention that Oswald may have been a patsy, just as he claimed—or maybe not. King’s vision of one outcome of the Kennedy assassination plot reminds us of what might have been—that is, almost certainly a better present than the one in which we’re all actually living. “If you want to know what political extremism can lead to,” warns King in an afterword, “look at the Zapruder film.”Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying yarn.
Pub Date: Nov. 1, 2011
Page Count: 864
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Pub Date: June 16, 2020
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Pub Date: March 17, 2020
Page Count: 352
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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