Goofy and fun. Readers will look forward to future outings.
Three short chapters on camaraderie star a duo of polar-opposite reptiles.
Hat-wearing Croc brings the pessimism to Ally’s infectious positivity. The two don’t always get along, but they are excellent at compromising. In “Move Over,” Ally’s refusal to move on the sofa (they like being close to Croc) propels Croc to suggest that the pair trade in the sofa for two chairs. In “Mr. Grumpy Pants,” Ally reverses roles with Croc to show him what his grumpy face actually looks like. Likewise, Croc flips the script to show Ally their happy-go-lucky face (unintentionally turning his own frown upside down). In “The Moon Is Hiding,” the sleepy pals go on a nighttime hunt for the moon (Ally can’t sleep without finding it). Neither sees it, but Croc comes up with a creative solution. In fewer than 100 words, Anderson’s (Ten Pigs, 2015) early-reader debut is classic opposites-attract comedy. Added details, such as the books Ally reads (Grumpy No More and More Fun), reward discerning readers. The text has at most three sentences per page, each with a relatively small word count (at most 13). Anderson scales back his usual textured acrylic style in favor of sleek, black-outlined cartoon critters in mostly earth-tone surroundings. À la Frog and Toad, this duo’s friendship is staggeringly cute (the sole wordless double-page spread is a case in point, showing a confused Croc and blissfully oblivious Ally).
Goofy and fun. Readers will look forward to future outings. (Early reader. 6-8)Pub Date: Sept. 25, 2018
ISBN: 978-1-5247-8707-3
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium.
How and why a symbol of exclusion can be transformed into just the opposite.
The circle is depicted literally in the illustrations but regarded as metaphorical in the unpolished if earnest rhyme. It begins as a mark “on the ground [drawn] along each shoe” (and then, according to the picture, around toes and heels) as “a safe little place for just one person.” But that makes no more sense that a library with “just one book”—and so it should be expanded to include family, friends, and ultimately the whole world: “In the circles all around us / everywhere that we all go / there’s a difference we can make / and a love we can all show.” Expanding on the Instagram video from which this is spun, the simply drawn art shows one button-eyed, pale-skinned child with a piece of chalk drawing and redrawing an increasingly large circle that first lets in a sibling and their interracial parents, then relatives (including another interracial couple), then larger groups (diverse in age and skin tone, including one child in a wheelchair and one wearing a hijab). In subsequent views figures mix and match in various combinations with interlocking circles of their own while waving personal flags here (“I only like SPORTS!”; “I’m Team CAKE!”) and sharing doughnuts there until a closing invitation to regard “wonder-eyed” our beaming, encircled planet. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 75% of actual size.)
Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium. (Picture book. 6-8)Pub Date: May 11, 2021
ISBN: 978-0-593-32318-2
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
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