by Derek Wilson ‧ RELEASE DATE: Dec. 1, 1999
Veteran historical biographer Wilson (The Astors: Landscape with Millionaires , 1993, etc.) takes a long look at England’s Charles I and the man who ultimately caused his downfall. Oliver Cromwell and Charles Stuart had little personal contact, and there is no detailed record of any meeting between them. Nonetheless, Wilson pens interesting portraits of the Scottish-born king whose religious and economic policies tore apart Great Britain and the zealous Protestant who rose from Member of Parliament to leader of the victorious “Ironsides” force and of the New Model Army, as well as signatory of Charles’s death warrant. In separate biographical sections, Wilson does an admirable job of covering the complex religious and political schism that rocked England and Scotland, and summarizes for general readers the wealth of extant material on both men’s lives. But his attempts to contrast the two men’s personalities, upbringing, education, and beliefs programmatically are unexceptional. Placing his subjects in specious proximity to each other’s spheres of action, Wilson takes leaps that his sources cannot support, often guessing at their motives and perceptions, as when he asserts that prior to their first meeting Cromwell saw his monarch only in the context of his —royal mystique” and that the King had no real knowledge of his Puritan opponent. Better as two good biographies than one mediocre one. (16 pages b&w illus.)
Pub Date: Dec. 1, 1999
ISBN: 0-312-24405-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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