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CHARLEMAGNE

Lacks the technical and stylistic sparkle of great popular history, but is nonetheless informative and even provocative.

Charlemagne not only conquered much of Europe but also created the idea of “Europe,” one that has lasted far longer than the empire, which began to fracture soon after his death in 814.

Historian and novelist Wilson (The Uncrowned Kings of England, 2004, etc.) takes us on a ride back into a time that antedates the periods of his previous works by a thousand years. The author has two interests here: to tell the “truth” about the historical Charlemagne (difficult to do with primary texts written by folks not principally interested in fact) and to examine how his life has affected ensuing western history. The author does a solid job of the former, peeling away layers of mythology from the biography (there are some good passages about The Song of Roland) and revealing that more than a thousand spurious stories have been published about the emperor. Wilson shows a paradoxical Charlemagne, a Christian warrior—a man who wished to conquer in the name of the Prince of Peace; who revered both learning and the learned; who wished his vast demesne to be populated by those who embraced the teachings of Jesus; whose two favorite books were the Bible and Augustine’s City of God; yet a man whose coevals respected and feared him for his military prowess. Charlemagne dies on page 130 (simple pleurisy felled the emperor), and Wilson devotes the rest of his text to his examination of Charles’ enduring influence. We follow him through the Reformation and Renaissance; we see parallels in the lives of Louis XIV and Napoleon; we see his resurrection in the vile mind of Hitler. And—finally—we recognize his desire to unify in the formation of the European Economic Community. Many useful maps appear throughout to help readers visualize the story.

Lacks the technical and stylistic sparkle of great popular history, but is nonetheless informative and even provocative.

Pub Date: June 6, 2006

ISBN: 0-385-51670-3

Page Count: 256

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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