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CONFRONTING AUTHORITY

REFLECTIONS OF AN ARDENT PROTESTOR

A leading African-American scholar of the law, known for decrying the underrepresentation of minorities in the academy, reflects on protest and race in America. Four years ago, Bell (Law/New York Univ.; Faces at the Bottom of the Well, 1992, etc.), then at Harvard, protested the absence of black women from that university's law faculty by taking an unpaid leave of absence. After much dithering, Harvard failed to hire a black woman law professor; once Bell had taken the two years of leave allowed him by its rules, Harvard fired him, refusing to make an exception for his principled stand. Affecting vignettes reveal how Bell's family inspired and sustained his protest. Accounts of faculty politics, in contrast, find Bell pulling his punches. Rather than settle scores, he seeks to knit his personal and professional experiences into a broad exploration of protest and the responses that it provokes. Alongside of his confrontation with the authorities at Harvard, Bell examines protests by such figures as Paul Robeson, Fannie Lou Hamer, and Martin Luther King while weaving into his book—in a manner familiar to readers of his previous work and to those acquainted with the techniques of ``critical race studies''—an allegorical fable in which citizens of a ruling citadel argue over how to treat the downtrodden outside of their walls. Bell illuminates an ugly picture: Protesters become pariahs, true reform may be impossible to achieve, yet struggle is necessary to preserve dignity and self-esteem. If Bell's pessimism seems a bit hyperbolic, his argument lends moral authority to those who exhort us toward social reform—those such as Bell himself, whose perhaps overdue disillusion with Harvard enables him to forcefully pose questions of how and why the institutional imperatives of power and prestige compromise moral vision. Bell's clearly written jeremiad, with its moving portrait of the author as exemplary protester, will inspire new examinations of struggles in our citadels of power—perhaps even new protests there. (Author tour)

Pub Date: Oct. 1, 1994

ISBN: 0-8070-0926-1

Page Count: 208

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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