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CONFRONTING AUTHORITY

REFLECTIONS OF AN ARDENT PROTESTOR

A leading African-American scholar of the law, known for decrying the underrepresentation of minorities in the academy, reflects on protest and race in America. Four years ago, Bell (Law/New York Univ.; Faces at the Bottom of the Well, 1992, etc.), then at Harvard, protested the absence of black women from that university's law faculty by taking an unpaid leave of absence. After much dithering, Harvard failed to hire a black woman law professor; once Bell had taken the two years of leave allowed him by its rules, Harvard fired him, refusing to make an exception for his principled stand. Affecting vignettes reveal how Bell's family inspired and sustained his protest. Accounts of faculty politics, in contrast, find Bell pulling his punches. Rather than settle scores, he seeks to knit his personal and professional experiences into a broad exploration of protest and the responses that it provokes. Alongside of his confrontation with the authorities at Harvard, Bell examines protests by such figures as Paul Robeson, Fannie Lou Hamer, and Martin Luther King while weaving into his book—in a manner familiar to readers of his previous work and to those acquainted with the techniques of ``critical race studies''—an allegorical fable in which citizens of a ruling citadel argue over how to treat the downtrodden outside of their walls. Bell illuminates an ugly picture: Protesters become pariahs, true reform may be impossible to achieve, yet struggle is necessary to preserve dignity and self-esteem. If Bell's pessimism seems a bit hyperbolic, his argument lends moral authority to those who exhort us toward social reform—those such as Bell himself, whose perhaps overdue disillusion with Harvard enables him to forcefully pose questions of how and why the institutional imperatives of power and prestige compromise moral vision. Bell's clearly written jeremiad, with its moving portrait of the author as exemplary protester, will inspire new examinations of struggles in our citadels of power—perhaps even new protests there. (Author tour)

Pub Date: Oct. 1, 1994

ISBN: 0-8070-0926-1

Page Count: 208

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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