“The wages of dying is love,” Galway Kinnell once wrote. McTiernan asks if that’s enough.
A young Vermont woman goes missing and her boyfriend is the prime suspect.
“My name is Nina Fraser. There is a good chance that you know who I am.” The novel begins with a prologue in the voice of its 20-year-old title character, who relays the history of her relationship with her boyfriend, Simon Jordan, and a particular weekend they spent hiking and climbing at his parents’ new place near Stowe. It ends like this: “I went downstairs to tell Simon that we were over and that I never wanted to see him again.” From this point, other voices take over, including those of Nina’s parents, Leanne and Andy; Simon’s mother, Jamie; and Matthew Wright, the detective who’s investigating Nina’s disappearance. With the support of a few other characters, they are responsible for piecing together Nina’s story and bearing witness to the things they know—and the things they suspect—which will change all their lives. We learn that Nina never came home from that weekend trip with Simon, nor has she been in touch with her family. We learn that Simon, who was born with the proverbial silver spoon in his mouth, has a sense of entitlement and a shaky alibi. We learn that each of the parents would do anything to protect their children. And so the stage is set for revelation, revenge, and tragedy. McTiernan turns the traditional thriller on its head by exploring the why and the what over the who. There isn’t a lot of mystery here, but there is deep humanity; it’s a meditation on grief, and helplessness, and what it means to parent a child who might not live the life you thought they would—or might not be the person you want them to be—and how death removes from each of us the illusion of choice or control over past, present, or future. And that is truly haunting.
“The wages of dying is love,” Galway Kinnell once wrote. McTiernan asks if that’s enough.Pub Date: March 5, 2024
ISBN: 9780063042254
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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