Seward, a renowned British historian (The Wars of the Roses, 1995, etc.), sets out to reassemble the shadowy life of the 17th-century Italian chiaroscuro master Michelangelo de Caravaggio. Born in 1571, Caravaggio lost his father to the plague when he was only six. From then on, death followed close on the painter’s heels, leaving its reflection in Caravaggio’s portrayal of corpses and severed heads in his art. A man of violent temper, prone to fits of jealousy and uncontrollable rage, Caravaggio committed a crime in nearly every city he lived in and had to flee the law on numerous occasions. Arriving in Rome in 1592, he lived for many years on the fringe of respectability, making a meager living in the workshops of other artists. Eventually, one of his paintings caught the eye of Cardinal del Monte, who invited Caravaggio to become a resident painter at his palazzo. The cardinal’s patronage ensured a quick rise to fame and numerous commissions—especially from clergy, who were perpetually smitten by Caravaggio’s Madonnas (even if many of them were modeled by prostitutes). Caravaggio’s success culminated in a commission to paint the pope’s portrait, but soon after, he was implicated in a duel that ended in the death of his tennis partner. Caravaggio became an outlaw in Rome, but he continued to exploit his talent and even sought admission to the Knights of Malta. The master of the order relaxed the rules to admit the famous artist but was just as soon obliged to expel him for attacking another knight. Caravaggio would remain on the run until death finally caught up with him. Penniless and exhausted from wounds and illness, Caravaggio died on the shore at Porto Ercole in 1610. Given the glaring lack of historical data, Seward does a fine job of piecing together circumstantial evidence of the painter’s turbulent life, while skillful juxtaposition of Caravaggio’s personal narrative and art illuminates the origins of his dramatic style.(16 color illustrations, not seen)
Pub Date: Nov. 1, 1998
ISBN: 0-688-15032-2
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
