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ANON PLS.

A candid, unexpected critique of celebrity, hanger-on, and enabler culture.

Both an ad for the real deuxmoi, a pseudonymous celebrity-gossip Instagram account, and a surprisingly good read.

For eight years, Cricket Lopez has been the abused assistant of Manhattan celebrity stylist Sasha Sherman, the former queen of reality TV. After one particularly humiliating day and very boozy evening, Cricket restarts her anonymous Instagram account,deuxmoi, airing the dirty laundry about her firm's new influencer client and asking fans to spill the tea about their celebrity encounters. The account goes viral, and soon everyone is talking about the unverified blind items detailing celebrity sex habits and restaurant sightings as well as guessing who the anonymous creator is. Cricket navigates the tidal wave of secret notoriety alongside Leon, her snarky but sweet co-worker, and Victoria, her BFF since high school who married out of the fashion industry and into the country-club world of the Upper East Side. But as the account grows in its influence, Sasha's firm flounders, and their main A-list client may be the next to fall prey to his own history of sexual misconduct and predatory behavior. Sasha grows even more out-of-control, an internet tycoon wants to buy deuxmoi, a reporter is ready to out her, and Cricket and her friends can lose even more than they thought possible. And then there's Ollie Snyder, the editor-in-chief of a Billboard-type entertainment magazine, who is as hot as Hollywood and slides into Cricket's DMs, offering advice and very steamy sex. For deuxmoi fans, this novel will be a solid extension of the brand's coming-of-age story, and they'll especially enjoy the inside jokes and liberal quotes from the real-life account, which helps create the tantalizing-yet-relatable tone. For nonfans, this autofiction is reminiscent of other of-the-moment bad-boss books like Leigh Stein's Self Care.

A candid, unexpected critique of celebrity, hanger-on, and enabler culture.

Pub Date: Nov. 8, 2022

ISBN: 978-0-06-325780-1

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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