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Tepid Blue

A work so surreal that it initially seems absurd, but its sense of mythology, mysticism, and introspection will still give...

Two long poems on philosophy and yoga, respectively, take meditation and introspection to strange places.

In the middle of his book’s first poem, “Philosophy,” Bhattacharyya (Rise of the Native, 2016, etc.) offers a footnote-style explanation of his use of numbers in his verse: “In a nut shell, Ignorance scores as 5, Disability as 28, Contentment 9, Success or Grand Success 8.” Like much of the content of this book, this information poses more questions than it answers; are these number assignments pulled from an ancient tradition or are they completely arbitrary? Similarly, the personifications of mankind and nature that drive the first section feel like both a classic origin story and a surrealist jumble: “In a rapid move, Primal-Nature / emerges before Cosmic Man….‘I have seen her,’ one stands indifferent / ‘I have been seen,’ desists the other.” The second poem, “Yoga,” is more grounded and digestible, reading like an ontological examination of the titular practice: “Thus the initiation of yoga / When yoga regulates the mind amused / comes the moment, the Seer sees his true self / the Self for a moment exposed.” Distorted illustrations, including one that shows the outline of three ballerinas jumping from a photo of a pond, accompany the verses. Although these images contribute to the text’s serene, surreal atmosphere, they fail to ground or guide readers. Instead, Bhattacharyya delves directly and deeply into an unusual landscape of introspection, obviously inspired by Eastern philosophy, but he presents it entirely without context or explanation for a wider audience, who may wonder whether these verses are the author’s own reinterpretations of classic yoga sutras or a translation of the foundations of Hinduism. Concrete answers never arrive, so some may find the poems to simply be a disorienting mishmash of New-Age aphorisms. However, Bhattacharyya’s unusual rhythms do take on an entrancing, ethereal, and even transcendent quality the more time one spends with them, which calls to mind an early verse that he simultaneously directs to strangers, neighbors, and himself: “Every time I reflect / The less strange you appear.”

A work so surreal that it initially seems absurd, but its sense of mythology, mysticism, and introspection will still give patient readers a sense of the uncanny. 

Pub Date: March 22, 2016

ISBN: 978-1-5234-9247-3

Page Count: 88

Publisher: CreateSpace

Review Posted Online: July 21, 2016

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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THINK YOU'LL BE HAPPY

MOVING THROUGH GRIEF WITH GRIT, GRACE, AND GRATITUDE

Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.

Memories and life lessons inspired by the author’s mother, who was murdered in 2021.

“Neither my mother nor I knew that her last text to me would be the words ‘Think you’ll be happy,’ ” Avant writes, "but it is fitting that she left me with a mantra for resiliency.” The author, a filmmaker and former U.S. Ambassador to the Bahamas, begins her first book on the night she learned her mother, Jacqueline Avant, had been fatally shot during a home invasion. “One of my first thoughts,” she writes, “was, ‘Oh God, please don’t let me hate this man. Give me the strength not to hate him.’ ” Daughter of Clarence Avant, known as the “Black Godfather” due to his work as a pioneering music executive, the author describes growing up “in a house that had a revolving door of famous people,” from Ella Fitzgerald to Muhammad Ali. “I don’t take for granted anything I have achieved in my life as a Black American woman,” writes Avant. “And I recognize my unique upbringing…..I was taught to honor our past and pay forward our fruits.” The book, which is occasionally repetitive, includes tributes to her mother from figures like Oprah Winfrey and Bill Clinton, but the narrative core is the author’s direct, faith-based, unwaveringly positive messages to readers—e.g., “I don’t want to carry the sadness and anger I have toward the man who did this to my mother…so I’m worshiping God amid the worst storm imaginable”; "Success and feeling good are contagious. I’m all about positive contagious vibrations!” Avant frequently quotes Bible verses, and the bulk of the text reflects the spirit of her daily prayer “that everything is in divine order.” Imploring readers to practice proactive behavior, she writes, “We have to always find the blessing, to be the blessing.”

Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.

Pub Date: Oct. 17, 2023

ISBN: 9780063304413

Page Count: 288

Publisher: HarperOne

Review Posted Online: Aug. 17, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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