A novel with a unique structure that falls victim to stunted prose, thin characters, and a barely justified climax.
A metaphysical thriller that follows a mysterious set of terra-cotta tablets through a violent history.
For his first novel, Bhattacharyya (Kernel of Vedic Truth, 2014, etc.) traces a set of untranslated, ancient artifacts as they disappear and reappear in various eras. Although the story begins in contemporary Rome, the bulk of the narrative occurs in India, from the late Roman Empire to the Middle Ages to the Roaring ’20s. The tablets begin in the hands of a guru, who, to foil possible Roman encroachment and treachery from his local circle, takes the tablets’ secrets to his grave. But his earlier conversation with a student complicates the novel’s philosophy, as does a later scene of a different guru (in the Middle Ages) giving a lecture on the relationship between the Absolute and the Self. Though these dialogues on Vedic interpretations interrupt the narrative flow, they do lend some metaphysical value to what’s otherwise an action-based story of hidden assassins, doomed treasure hunts, and conspiracy. These adrenaline-filled events, though, deepen the mystery in their own way, in that Bhattacharyya rarely explains the natures of the various assailants, creating a paranoid mood as the main characters meet attacks from all directions. Likewise, the fact that these attacks take place on a large timeline may also provoke readers’ questions. Bhattacharyya helpfully addresses many of them, perhaps too easily, in the final chapter, as some fantasy creeps into the story. Unfortunately, the book’s intriguing form can’t make up for its often awkward prose and its lack of character development. Some of the characters are never even named, instead going by “the student” and “the learned”: “The learned tried to think, despite impaired senses. In a stubborn move, he stopped the falter—it was like an impulse; he breathed hard, strength and recovery returning to his limbs.” With such missteps, the text rarely builds any momentum.
A novel with a unique structure that falls victim to stunted prose, thin characters, and a barely justified climax.Pub Date: Dec. 25, 2014
ISBN: 978-1500226848
Page Count: 192
Publisher: CreateSpace
Review Posted Online: Feb. 17, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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