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VERSION CONTROL

A novel brimming with ideas, ambition, imagination, and possibility yet one in which the characters remain richly engaging...

A Mobius strip of a novel in which time is more a loop than a path and various possibilities seem to exist simultaneously.

Science fiction provides a literary launching pad for this audacious sophomore novel by Palmer (The Dream of Perpetual Motion, 2010). It offers some of the same pleasures as one of those state-of-the-union (domestic and national) epics by Jonathan Franzen, yet its speculative nature becomes increasingly apparent as the novel progresses (while its characters apparently don’t). From the first page, protagonist Rebecca Wright, who works at a computer dating service, feels a "weird, persistent unease"; she thinks the world around her suffers from “a certain subtle wrongness.” Her physicist husband, Philip Steiner, heads a team that's working on what others would call a time machine, though the scientists avoid that label; they don't think their project will create a true time machine, but their research (and even their mistakes) might provide useful discoveries along the way. Rebecca and Philip's son, Sean, who's in second grade, has been an artistic prodigy since preschool, according to his mother, but his father doesn’t understand him at all. As Palmer’s narrative offers sleight-of-hand revelations with absolute command, it becomes apparent that the time they are living in, which often seems to be a comment on the present, is in fact the near future, one in which automobiles drive themselves and the president is capable of appearing on anyone’s home TV to address them personally. It's also increasingly obvious that Rebecca is an alcoholic, in deep denial. The plot pivots on a climactic car crash, a malfunction of the automatic automobile, after Sean has been unfairly disciplined with a detention at school, Rebecca is too inebriated to leave the house, and Philip is too busy at work to intercede, leaving the question of who is behind the wheel and who survives subject to revision. The novel circles back to this pivotal incident time and again; as this plot writes and then overwrites itself, each member of the nuclear family might possibly die, yet all remain crucial to the denouement. Muses Philip, “Ulysses is not a story, so much as a system of the world. A place for everything, and everything in its place.”

A novel brimming with ideas, ambition, imagination, and possibility yet one in which the characters remain richly engaging for the reader.

Pub Date: Feb. 23, 2016

ISBN: 978-0-307-90759-2

Page Count: 512

Publisher: Pantheon

Review Posted Online: Dec. 7, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE DARK FOREST

From the Remembrance of Earth's Past series , Vol. 2

Once again, a highly impressive must-read.

Second part of an alien-contact trilogy (The Three-Body Problem, 2014) from China’s most celebrated science-fiction author.

In the previous book, the inhabitants of Trisolaris, a planet with three suns, discovered that their planet was doomed and that Earth offered a suitable refuge. So, determined to capture Earth and exterminate humanity, the Trisolarans embarked on a 400-year-long interstellar voyage and also sent sophons (enormously sophisticated computers constructed inside the curled-up dimensions of fundamental particles) to spy on humanity and impose an unbreakable block on scientific advance. On Earth, the Earth-Trisolaris Organization formed to help the invaders, despite knowing the inevitable outcome. Humanity’s lone advantage is that Trisolarans are incapable of lying or dissimulation and so cannot understand deceit or subterfuge. This time, with the Trisolarans a few years into their voyage, physicist Ye Wenjie (whose reminiscences drove much of the action in the last book) visits astronomer-turned-sociologist Luo Ji, urging him to develop her ideas on cosmic sociology. The Planetary Defense Council, meanwhile, in order to combat the powerful escapist movement (they want to build starships and flee so that at least some humans will survive), announces the Wallfacer Project. Four selected individuals will be accorded the power to command any resource in order to develop plans to defend Earth, while the details will remain hidden in the thoughts of each Wallfacer, where even the sophons can't reach. To combat this, the ETO creates Wallbreakers, dedicated to deducing and thwarting the plans of the Wallfacers. The chosen Wallfacers are soldier Frederick Tyler, diplomat Manuel Rey Diaz, neuroscientist Bill Hines, and—Luo Ji. Luo has no idea why he was chosen, but, nonetheless, the Trisolarans seem determined to kill him. The plot’s development centers on Liu’s dark and rather gloomy but highly persuasive philosophy, with dazzling ideas and an unsettling, nonlinear, almost nonnarrative structure that demands patience but offers huge rewards.

Once again, a highly impressive must-read.

Pub Date: Aug. 11, 2015

ISBN: 978-0-7653-7708-1

Page Count: 480

Publisher: Tor

Review Posted Online: June 2, 2015

Kirkus Reviews Issue: June 15, 2015

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