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RAMRAJ

AN AMAZONIAN FANTASY

Well-intentioned but overstuffed.

An angry young man must decide which side he’s on regarding an international plan to develop the Amazon in Narine’s novel.

Ramraj, a dreamer and troublemaker growing up in poverty in Guyana, is raised by his single mother; his father lives far away. As he matures, Ramraj develops an edge, to his mother’s dismay: “There was something that she could not explain. The light of the moon showed someone that was self-absorbed and was consumed with hate.” Despite the community’s belief it is too late to change him, his mother hopes otherwise. Her death propels Ramraj to flee to the capital city of Georgetown, where he struggles until meeting Bobby and his group, advocates of social justice who encourage robbing the rich to help the poor. Initially swept up in purse, wallet, and watch thefts, Ramraj tires of crime and instead becomes a cook for the Upper Amazon Development Authority, an organization tasked with bringing hydroelectric power to Guyana. Sent to Kamarang, he is overwhelmed and considers leaving but instead befriends Pugnose, a trafficker in exotic animal products. Ramraj proves himself a skilled hunter, killing endangered species with precision, though growing moral reservations lead him to part ways with Pugnose and turn to Kamarang spiritualist Shaman George. George imparts teachings on empathy, belonging, environmental stewardship, and the “four laws of living” (belonging, questioning, probity, and problem-solving), along with a “Fifth Dimension” of spiritual focus. Inspired, Ramraj throws himself into community projects, but his position becomes precarious: Soon, he is caught between loyalties, supporting Shaman George and protecting the community’s way of life while facing mounting pressure from the government and the World Bank to promote the controversial hydropower project. As Ramraj continues to travel and better understand the wealth of natural resources in Guyana and the vulnerability of its remote communities to exploitation by developers. He also moves deeper into spiritual exploration, led by increasingly lengthy discussions and visions with Shaman George, which tie back to some of the dreams he had as a child. This spiritual awakening helps Ramraj to decide what he must do.  

There is more than enough in this ambitious work for multiple volumes, and indeed Narine labels his chapters as “books.” But the lack of a sense of forward momentum in the story—the novel, at times, takes the form of a picaresque, with Ramraj encountering a series of different characters and having brief, though meaningful experiences, only to bounce along to the next person and the next, with little sense of how time is passing—makes certain passages feel endless and in need of deep edits. Despite all of his backstory, Ramraj is a bit of a blank slate, a Zelig figure who takes on the personalities of those nearest him. Readers are told of his development at great length, but it rarely registers as real. For all the mentions of the splendor of Guyana, the descriptions are likewise a bit flat and nonspecific: “The plane turned right, and the majesty of the jungle opened up, showing off exquisite colors, including multiple rainbows from afar.” The narrative’s theme is worthy and comes through clearly, but it could have been expressed with greater economy and thrust.

Well-intentioned but overstuffed.

Pub Date: July 17, 2025

ISBN: 9798823051057

Page Count: 434

Publisher: AuthorHouse

Review Posted Online: Aug. 19, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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