by Diana Altman ‧ RELEASE DATE: June 11, 2019
While this narrative remains light on action, the author speaks with sophistication and style about the experiences of...
A woman born to an affluent New York family reflects on her upbringing and evolving perceptions of her parents.
Altman’s (In Theda Bara’s Tent, 2010, etc.) latest novel begins with an ominous proclamation: “While cleaning out my mother’s files after she died alone at her secluded house behind a locked gate near the Catskill Mountains, her five cats yowling from fear and hunger, I came upon an alarming letter.” From this document, Sonya Adler learns that many years ago, her mother, Violet, gave up a son for adoption. This discovery causes Sonya to recount her life story, beginning with the moment when she was told her parents would be divorcing. Her mother is the beautiful daughter of a wealthy industrialist; her father is an acclaimed movie producer 20 years her senior. After their separation, the shame of her mother’s unmarried status haunts Sonya’s childhood and shapes her view of relationships into adulthood. Altman’s writing is thoughtful and articulate. Though Sonya’s story includes many formative experiences, such as moving to a new neighborhood, mourning her relatives’ deaths, and falling in love with her eventual husband, the focus repeatedly returns to her mother. Violet is shown to be a complex, at times contradictory person. It is up to readers to decide whether she is petulant or passionate; an irresponsible mother or a woman trying to escape the expectations of a 1950s housewife. Sonya narrates her views on feminist issues and social mores quite earnestly. Many of her anecdotes are compelling and historically revealing, such as her fight to keep her maiden surname when casting a vote. She is admirably cognizant of her own flaws: She admits to being sheltered, changing for people who make her unhappy, and feeling jealous of her sister. But despite its many strengths, the plot is often lacking in conflict. Sonya describes her personal dramas quietly and solemnly, and few are sustained for very long. As a result, the flavor of the story is slightly bland.
While this narrative remains light on action, the author speaks with sophistication and style about the experiences of American women in the recent past.Pub Date: June 11, 2019
ISBN: 978-1-63152-543-8
Page Count: 305
Publisher: She Writes Press
Review Posted Online: March 19, 2019
Review Program: Kirkus Indie
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by Diana Altman
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by Diana Altman
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by C.S. Lewis ‧ RELEASE DATE: Jan. 1, 1942
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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