by Diana Athill ‧ RELEASE DATE: Jan. 4, 2016
Readers can hope that more crisp and thoughtful essays on life, old age, and death will be forthcoming from a centenarian...
Approaching her 98th birthday, the astonishingly vital and fiercely intelligent Athill adds a charming addendum to her previous memoir on aging, Somewhere Towards the End (2009).
Following an introduction in which she muses about the pleasures of thinking about past events, people, and places, the author offers 11 essays filled with candid memories and reflections. The first is a fond recollection from the 1920s and 1930s of the garden at Ditchingham Hall (the kitchen garden was “a wonderfully thought-out and maintained fabrication of beauty”), her grandparents’ country home in Norfolk, and the second is a look back at the 1940s and 1950s and the pleasures of life in postwar England. What follows are a variety of vivid accounts, the most deeply personal of which tells of her pregnancy in her early 40s, her decision to bear the child, and then the miscarriage that nearly killed her. For readers of a certain age, her decision to give up her independence, move into a home for the elderly, and discover unexpected pleasures there will especially resonate. Whether she is writing about clothes, books, possessions, or relationships, Athill seems always to be completely honest and without unnecessary sentiment. Death does not alarm her—she approves of the sensible, practical way that it is dealt with in her retirement home—and as an atheist, she finds no comfort in the idea of an afterlife. However, as she admitted in her previous memoir on aging, the actual process of dying causes some anxiety. In her final essay here, she allows that one cannot expect an easy dying, but one can still hope for it.
Readers can hope that more crisp and thoughtful essays on life, old age, and death will be forthcoming from a centenarian Athill.Pub Date: Jan. 4, 2016
ISBN: 978-0-393-25371-9
Page Count: 180
Publisher: Norton
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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