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ALIVE, ALIVE OH!

AND OTHER THINGS THAT MATTER

Readers can hope that more crisp and thoughtful essays on life, old age, and death will be forthcoming from a centenarian...

Approaching her 98th birthday, the astonishingly vital and fiercely intelligent Athill adds a charming addendum to her previous memoir on aging, Somewhere Towards the End (2009).

Following an introduction in which she muses about the pleasures of thinking about past events, people, and places, the author offers 11 essays filled with candid memories and reflections. The first is a fond recollection from the 1920s and 1930s of the garden at Ditchingham Hall (the kitchen garden was “a wonderfully thought-out and maintained fabrication of beauty”), her grandparents’ country home in Norfolk, and the second is a look back at the 1940s and 1950s and the pleasures of life in postwar England. What follows are a variety of vivid accounts, the most deeply personal of which tells of her pregnancy in her early 40s, her decision to bear the child, and then the miscarriage that nearly killed her. For readers of a certain age, her decision to give up her independence, move into a home for the elderly, and discover unexpected pleasures there will especially resonate. Whether she is writing about clothes, books, possessions, or relationships, Athill seems always to be completely honest and without unnecessary sentiment. Death does not alarm her—she approves of the sensible, practical way that it is dealt with in her retirement home—and as an atheist, she finds no comfort in the idea of an afterlife. However, as she admitted in her previous memoir on aging, the actual process of dying causes some anxiety. In her final essay here, she allows that one cannot expect an easy dying, but one can still hope for it.

Readers can hope that more crisp and thoughtful essays on life, old age, and death will be forthcoming from a centenarian Athill.

Pub Date: Jan. 4, 2016

ISBN: 978-0-393-25371-9

Page Count: 180

Publisher: Norton

Review Posted Online: Oct. 13, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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WHEN THE GAME WAS OURS

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

NBA legends Bird and Johnson, fierce rivals during their playing days, team up on a mutual career retrospective.

With megastars LeBron James and Kobe Bryant and international superstars like China’s Yao Ming pushing it to ever-greater heights of popularity today, it’s difficult to imagine the NBA in 1979, when financial problems, drug scandals and racial issues threatened to destroy the fledgling league. Fortunately, that year marked the coming of two young saviors—one a flashy, charismatic African-American and the other a cocky, blond, self-described “hick.” Arriving fresh off a showdown in the NCAA championship game in which Johnson’s Michigan State Spartans defeated Bird’s Indiana State Sycamores—still the highest-rated college basketball game ever—the duo changed the course of history not just for the league, but the sport itself. While the pair’s on-court accomplishments have been exhaustively chronicled, the narrative hook here is unprecedented insight and commentary from the stars themselves on their unique relationship, a compelling mixture of bitter rivalry and mutual admiration. This snapshot of their respective careers delves with varying degrees of depth into the lives of each man and their on- and off-court achievements, including the historic championship games between Johnson’s Lakers and Bird’s Celtics, their trailblazing endorsement deals and Johnson’s stunning announcement in 1991 that he had tested positive for HIV. Ironically, this nostalgic chronicle about the two men who, along with Michael Jordan, turned more fans onto NBA basketball than any other players, will likely appeal primarily to a narrow cross-section of readers: Bird/Magic fans and hardcore hoop-heads.

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

Pub Date: Nov. 4, 2009

ISBN: 978-0-547-22547-0

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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