Fiercely intelligent, discomfortingly honest and never dull.
Now 91, one of England’s notable book editors examines life, old age and approaching death with astonishing candor in 16 essays distinguished by her spare, direct prose.
Athill (Yesterday Morning, 2002, etc.) does not shy away from uncomfortable subjects: the waning of sexual desire, her qualms about the physical act of dying and her atheism, which deprives her of a comforting belief in the hereafter. Although she knows that death cannot be far off, the present is full of quiet satisfactions. The tiny tree fern that she purchases in the opening essay will not provide shade for her backyard garden in her lifetime, but watching it unfurl its fronds becomes an unexpected and genuine pleasure. Athill vividly describes corpses she has seen and deaths she has witnessed, taking some comfort from the knowledge that among her close relatives the end has been relatively swift and peaceful. Having no children to care for her at the end of her life, she notes sadly but calmly that she will likely end her days in an impersonal institution. With no afterlife to look forward to, the present becomes more precious; hers is filled with reading, writing and reviewing books, gardening, drawing, pottering about and, surprisingly, driving her car. After a highway accident in which only the car was damaged, her love of the freedom provided by driving kept her behind the wheel. Erotic desire may have vanished, but Athill remembers it clearly and is quite candid about relationships with past lovers. Kindness and loving friendship are more important than sexual fidelity, she asserts, demonstrating this with brief anecdotes of her affairs. At the time of writing, she has reluctantly but dutifully become caretaker for a man she has lived with for nearly half a century. Their life now, she writes matter-of-factly, is “in about equal parts, both sad and boring.”
Fiercely intelligent, discomfortingly honest and never dull.Pub Date: Jan. 1, 2009
ISBN: 978-0-393-06770-5
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
A dazzling visual homage to a music icon gone too soon.
A Los Angeles–based photographer pays tribute to a legendary musician with anecdotes and previously unseen images collected from their 25-year collaboration.
St. Nicholas (co-author: Whitney: Tribute to an Icon, 2012, etc.) first met Prince in 1991 at a prearranged photo shoot. “The dance between photographer and subject carried us away into hours of inspired photographs…and the beginning of a friendship that would last a lifetime.” In this book, the author fondly remembers their many professional encounters in the 25 years that followed. Many would be portrait sessions but done on impulse, like those in a burned-out Los Angeles building in 1994 and on the Charles Bridge in Prague in 2007. Both times, the author and Prince came together through serendipity to create playfully expressive images that came to represent the singer’s “unorthodox ability to truly live life in the moment.” Other encounters took place while Prince was performing at Paisley Park, his Minneapolis studio, or at venues in LA, New York, Tokyo, and London. One in particular came about after the 1991 release of Prince’s Diamonds and Pearls album and led to the start of St. Nicholas’ career as a video director. Prince, who nurtured young artists throughout his career, pushed the author to “trust my instincts…expand myself creatively.” What is most striking about even the most intimate of these photographs—even those shot with Mayte Garcia, the fan-turned–backup dancer who became Prince’s wife in 1996—is the brilliantly theatrical quality of the images. As the author observes, the singer was never not the self-conscious artist: “Prince was Prince 24/7.” Nostalgic and reverential, this book—the second St. Nicholas produced with/for Prince—is a celebration of friendship and artistry. Prince fans are sure to appreciate the book, and those interested in art photography will also find the collection highly appealing.
A dazzling visual homage to a music icon gone too soon.Pub Date: Nov. 19, 2019
ISBN: 978-0-06-293923-4
Page Count: 384
Publisher: Amistad/HarperCollins
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Unsurprising but perfectly competent and seamlessly of a piece with her Living History (2003). And will Hillary run? The...
Former Secretary of State Clinton tells—well, if not all, at least what she and her “book team” think we ought to know.
If this memoir of diplomatic service lacks the preening self-regard of Henry Kissinger’s and the technocratic certainty of Dean Acheson’s, it has all the requisite evenhandedness: Readers have the sense that there’s not a sentence in it that hasn’t been vetted, measured and adjusted for maximal blandness. The news that has thus far made the rounds has concerned the author’s revelation that the Clintons were cash-strapped on leaving the White House, probably since there’s not enough hanging rope about Benghazi for anyone to get worked up about. (On that current hot-button topic, the index says, mildly, “See Libya.”) The requisite encomia are there, of course: “Losing these fearless public servants in the line of duty was a crushing blow.” So are the crises and Clinton’s careful qualifying: Her memories of the Benghazi affair, she writes, are a blend of her own experience and information gathered in the course of the investigations that followed, “especially the work of the independent review board charged with determining the facts and pulling no punches.” When controversy appears, it is similarly cushioned: Tinhorn dictators are valuable allies, and everyone along the way is described with the usual honorifics and flattering descriptions: “Benazir [Bhutto] wore a shalwar kameez, the national dress of Pakistan, a long, flowing tunic over loose pants that was both practical and attractive, and she covered her hair with lovely scarves.” In short, this is a standard-issue political memoir, with its nods to “adorable students,” “important partners,” the “rich history and culture” of every nation on the planet, and the difficulty of eating and exercising sensibly while logging thousands of hours in flight and in conference rooms.
Unsurprising but perfectly competent and seamlessly of a piece with her Living History (2003). And will Hillary run? The guiding metaphor of the book is the relay race, and there’s a sense that if the torch is handed to her, well….Pub Date: June 10, 2014
ISBN: 978-1-4767-5144-3
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: June 13, 2014
Kirkus Reviews Issue: July 1, 2014
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