An enjoyable, but unfinished glimpse of Latvian history.
A young man revolts against a chaotic Communist regime in this debut historical novel.
This first installment in the Article 58 series opens in 1992, with the scene of a crime: the Latvian home of Karlis Perkons, where the body of retired KGB agent Igor Volkov has just been found. Karlis recognizes the Russian as his nemesis from nearly 50 years ago during the brief Soviet occupation of Latvia on the brink of World War II. The scene then shifts to 1940, when an 18-year-old Karlis learns the hard way that Communist soldiers are not to be trifled with. After his friend Peters is arrested and his family is threatened, Karlis joins a secret society of like-minded youths who call themselves the Nonchalants. Together they secretly publish a newspaper condemning the Soviet regime, and plot to blow up the infamous torture chamber known as the Corner House. But the work is incredibly dangerous, especially because Igor has just moved into Karlis’ father’s shop, supposedly as an apprentice but really, the teenager fears, as a spy. The book is illustrated throughout with paintings by Latvian artist Smiltens, on whose life the story is loosely based, and it contains a character list and glossary of Latvian terms at the end. Mathur’s tale draws the reader in immediately with a murder mystery and keeps up a brisk, action-packed pace throughout. The artistic, rebellious, yet sometimes cowardly Karlis works well as a protagonist, and Igor makes a shifty, enigmatic villain. Other characters tend to fade into the background, but in a novel this brief, that’s forgivable. What is less forgivable is the book’s lack of completeness. Although the beginning of a series needs to leave some questions unanswered, this opener ends abruptly with no sense of closure. Worst of all, the murder mystery at the beginning is never mentioned again. While most of the dialogue is passable, some out-of-place exposition (“The Russians have imposed a ridiculous exchange rate, impoverishing most of us”) becomes irritating.
An enjoyable, but unfinished glimpse of Latvian history.Pub Date: April 1, 2016
ISBN: 978-1-5236-7047-5
Page Count: 134
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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