An enjoyable, but unfinished glimpse of Latvian history.



From the The Linden Tree & the Legionnaire, A Latvian Tale of Blood and Treasure series , Vol. 1

A young man revolts against a chaotic Communist regime in this debut historical novel.

This first installment in the Article 58 series opens in 1992, with the scene of a crime: the Latvian home of Karlis Perkons, where the body of retired KGB agent Igor Volkov has just been found. Karlis recognizes the Russian as his nemesis from nearly 50 years ago during the brief Soviet occupation of Latvia on the brink of World War II. The scene then shifts to 1940, when an 18-year-old Karlis learns the hard way that Communist soldiers are not to be trifled with. After his friend Peters is arrested and his family is threatened, Karlis joins a secret society of like-minded youths who call themselves the Nonchalants. Together they secretly publish a newspaper condemning the Soviet regime, and plot to blow up the infamous torture chamber known as the Corner House. But the work is incredibly dangerous, especially because Igor has just moved into Karlis’ father’s shop, supposedly as an apprentice but really, the teenager fears, as a spy. The book is illustrated throughout with paintings by Latvian artist Smiltens, on whose life the story is loosely based, and it contains a character list and glossary of Latvian terms at the end. Mathur’s tale draws the reader in immediately with a murder mystery and keeps up a brisk, action-packed pace throughout. The artistic, rebellious, yet sometimes cowardly Karlis works well as a protagonist, and Igor makes a shifty, enigmatic villain. Other characters tend to fade into the background, but in a novel this brief, that’s forgivable. What is less forgivable is the book’s lack of completeness. Although the beginning of a series needs to leave some questions unanswered, this opener ends abruptly with no sense of closure. Worst of all, the murder mystery at the beginning is never mentioned again. While most of the dialogue is passable, some out-of-place exposition (“The Russians have imposed a ridiculous exchange rate, impoverishing most of us”) becomes irritating.

An enjoyable, but unfinished glimpse of Latvian history.

Pub Date: April 1, 2016

ISBN: 978-1-5236-7047-5

Page Count: 134

Publisher: CreateSpace

Review Posted Online: Jan. 9, 2019

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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