Next book

AUDREY HEPBURN

AN INTIMATE PORTRAIT

Adoring life of Hepburn (``the prettiest, sweetest angel in heaven''), written with help from the actress (1929-93) herself during her final year. Support from Hepburn clearly helped Maychick (Meryl Streep, 1984) straighten out the actress's background: noble Dutch lineage; early years in the Netherlands under the Nazis; Resistance activities; dysfunctional family; first inroads of her eating disorder; misfire as a dancer; first films in Britain, and so on. But Maychick got less help on the real dirt, such as Hepburn's affair with married William Holden (``the love of her life''), whom she dumped when he said he'd had an irreversible vasectomy and couldn't have children. A chubby child with an addiction to chocolate, Hepburn turned off all interest in food during the war years, especially when driven by the Nazis into hiding alone for a month in a cellar, where she created a purposeful distaste for what she couldn't have. She hit it big simultaneously on Broadway— having been discovered by Colette herself to play Gigi—and in Hollywood, winning on the same night an Oscar and a British Film Institute citation as best actress (both for Roman Holiday). A Tony (for Giradoux's Ondine) and a cover story in Time soon followed— but few fans knew that Hepburn had little background in Hollywood films, or that her gamin innocence was the real thing. (Asked how he liked ``working with that dream girl'' in Sabrina, Bogart replied, ``She's okay, if you like to do 36 takes.'') Hepburn's marriage to lesser star Mel Ferrer drained her, as did some miscarriages, though a son finally came. She died of colon cancer right after visiting Somalia for UNICEF. Hepburn lends a gripping spine to Maychick's styleless but serviceable effort. (Sixteen pages of b&w photographs) (First serial to Cosmopolitan)

Pub Date: Dec. 1, 1993

ISBN: 1-55972-195-2

Page Count: 304

Publisher: Birch Lane Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1993

Next book

SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

Next book

GETTING REAL

For the author’s fans.

A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”

The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of  “abundant brain cells,” dampens the book’s impact.

For the author’s fans.

Pub Date: June 16, 2015

ISBN: 978-0-525-42745-2

Page Count: 272

Publisher: Viking

Review Posted Online: March 27, 2015

Kirkus Reviews Issue: April 15, 2015

Close Quickview