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ACROSS A STAR-SWEPT SEA

A good bet for readers looking for strong female protagonists, characters of color or just an enjoyable romantic adventure...

Peterfreund follows up her post-apocalyptic version of Persuasion (For Darkness Shows the Stars, 2012) with a gender-flipped Scarlet Pimpernel.

On a Pacific island in a high-tech future, 16-year-old Persis Blake seems the epitome of a lady: beautiful, charming, stylish…shallow and stupid. The Wild Poppy, her alter ego, is clever, courageous and noble, crossing the sea to rescue aristos imprisoned by the tyrannical revolution. Dashing young medic Justen Helo claims to have turned against the revolution that betrayed his family’s legacy—but can Persis trust him with her secret? Beneath the science-fiction veneer, the plot follows its source almost beat for beat, sacrificing some swashbuckling and suspense for lush scene-setting, secondary character development and a large dose of teen angst. The interplay between appearance and reality runs throughout: If the Poppy is a master of deception, every other player also wears masks, and everyone fails to look beneath the surface. Most, interestingly, are female, and while the different paths available for women to pursue heroism (and villainy) are subtly examined, the portrayal of their friendships shines. The narrative also raises thoughtful questions about class and gender bias, but it ultimately shrugs off the ramifications; feudalism is fine if the lords are nice enough, and though everybody rails against sexism, no one actively bothers to challenge it. While this title stands alone, cameos from the previous tale will please fans.

A good bet for readers looking for strong female protagonists, characters of color or just an enjoyable romantic adventure with a science-fiction spin—especially if they haven’t read the original. (Science fiction. 12 & up)

Pub Date: Oct. 15, 2013

ISBN: 978-0-06-200616-5

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Aug. 27, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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