by Diana Preston ‧ RELEASE DATE: April 1, 2009
Preston ably conveys her admiration for the Egyptian queen.
Historian Preston (Before the Fallout: From Marie Curie to Hiroshima, 2005, etc.) casts Cleopatra as the fulcrum of power in the one of the world’s first power couples.
Before discussing the pivotal first encounter between young Cleopatra and the newly victorious Julius Caesar in Alexandria in 48 BCE, the author wades through a dense bloody history involving the Ptolemy dynasty of Egypt and the civil wars in Rome. Once the highly educated, politically astute, alluring Egyptian queen takes center stage, she commands complete attention. Preston describes her at length, even enlisting a specialist in “archaeosteology” to reconstruct her face. The author notes that Cleopatra was “probably not conventionally beautiful”; her appeal lay in her artfulness, charm, daring and shrewdness, qualities that warlike Caesar and later Antony greatly admired, and rarely saw in women. While Caesar served as her early protector, giving her a “divine heir” in the son Caesarion, Antony helped consolidate the power she needed to stabilize her reign. The two played at being godlike—Cleopatra was Isis incarnate, Antony the “new Dionysus”—and both were sensualists and fond of pomp and spectacle. Their passion for each other was driven by their shared “hunger for life,” Preston asserts. Cleopatra skillfully coaxed from Antony territory concessions that nearly restored the empire of the early Ptolemies, and she proved a valuable political ally in the face of threats by Parthia and Octavian. Although Antony was criticized for losing his self-control and dignity by remaining with Cleopatra, Preston emphasizes how each fulfilled the other’s “wider strategy.” Had they prevailed, they might have co-ruled a vast empire. Preston closes with an analysis of how later mythmaking was particularly unkind to Cleopatra.
Preston ably conveys her admiration for the Egyptian queen.Pub Date: April 1, 2009
ISBN: 978-0-8027-1738-2
Page Count: 352
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2009
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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