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MAYA'S STORY

SLIPPING BETWEEN TIME AND SPACE

A lively and optimistic alarm bell regarding the fractured state of the globe today.

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This debut YA fantasy sees a teen prepare to battle the ills of the world and the sinister force responsible.

Seventeen-year-old Vida fled oppressive Russia for the more colorful San Francisco in 1962. There, she worked hard in school and started a family, hoping to keep alive the Sisterhood, a line of Druidic Priestesses begun in ancient Alexandria. Today, Vida is High Priestess of the Sisterhood and realizes that a planet ravaged by global warming, famine, and war must be saved immediately. She starts training Maya, her 15-year-old granddaughter, three years early for the Sisterhood. Their mystical enemy is the Dark Menace that “stokes the fires that cause the atrocities that are increasing around the globe.” Ready to help Maya are the constellations watching from above, including Draco (Latin for dragon) and Monoceros (Greek for unicorn). Under Vida’s tutelage, Maya begins utilizing her heritage as an Indigo Child, practicing telekinesis and harnessing her ability to communicate with and transform into animals. The pair trains in the nearby forest, but Maya also learns to slip through adjacent realms to access sacred sites like Stonehenge, the Royal Library of Alexandria, and the temple of Queen Hatshepsut. But will Maya learn enough in time to halt the Dark Menace? In this mystically inclined novel, Story casts as wide a net as possible to round up the world’s troubles—including war in Syria and bees suffering colony collapse—for presentation to young audiences. Vida even quotes the Spider-Man comics when she asserts, “With great power comes great responsibilities.” While the bulk of Maya’s adventures take place in her mind, Story’s vibrant prose indeed slips between time and space; opening a casket in Queen Hatshepsut’s chamber reveals that “crystals glow from within, and the radiating colors bounce off the walls and ceiling in a riot of color that is almost disorienting.” Readers may need patience during the heroine’s extensive training, but once true danger arrives, it is followed quickly by horrific consequences. And though a vital Manifesto is delivered universally, humanity’s imperfection will require more from the Sisterhood.

A lively and optimistic alarm bell regarding the fractured state of the globe today.

Pub Date: April 5, 2017

ISBN: 978-1-5426-6055-6

Page Count: 354

Publisher: CreateSpace

Review Posted Online: June 7, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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