Sophie is caught between a powerful witch and wizard who are terrorizing the magical land of Ingary. Living a humdrum life as a hatter till the malicious Witch of the Waste casts a spell turning her into an old woman, Sophie seeks refuge as cleaning woman to Wizard Howl (although he's rumored to eat the hearts of young girls) in his castle, which moves at will about the countryside. Actually, Howl is a brash young man whose only vice is womanizing. He is a gifted wizard but the despair of his inept apprentice and of Calcifer, a humorously petulant fire demon, because of such human faults as messiness and spending too long in the bath. As in her memorable Archer's Goon, Jones has a plethora of characters who are seldom what they seem and an intricate plot which may dazzle with its complexity or delight by the hilarious common-sense consequences of its preposterous premises. Sophie is a dauntless heroine; when she regains her youth and wins Howl, the odds are this is only the beginning of a tempestuous romance. Great fun.
Pub Date: April 14, 1986
ISBN: 0061478784
Page Count: 448
Publisher: Greenwillow Books
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: March 15, 1986
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
After some autobiographical excursions, Dahl here returns to the sort of whimsically grotesque fantasy that makes grown-ups wince and children beg for more. His heroine is five-year-old Matilda, a genius whose mathematical abilities, as well as her impressive reading list (Hemingway, Steinbeck, etc.), are totally unappreciated by her father—a dishonest used-car salesman—and her mother, a devotee of bingo and TV soaps. Only when the girl enters school does she find an understanding ally, Miss Honey, a paragon of virtue who attempts to defend her pupils against unbelievably cruel headmistress Miss Trunchbull, who hates children in direct proportion to their youth and tortures them accordingly. Just when things seem to be at their worst, Matilda discovers still another gift, telekinesis, enabling her to defeat the horrible Trunchbull and give Miss Honey, and herself, a new start. Dahl's tightly woven plots, his strict sense of absolute justice, and his raunchy "funny bits" make him popular with children who also appreciate the empowerment he grants to his smaller, weaker protagonists. Matilda is the most simplistic of his efforts in this direction, but it does retain the time-honored appeal, abetted by Blake's apt illustrations. It probably should be marked "For Children Only," though. And Dahl slips badly when he says that C.S. Lewis and J.R.R. Tolkien have no "funny bits" in their books.
Pub Date: Oct. 1, 1988
ISBN: 0142410373
Page Count: 240
Publisher: Viking
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1988
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