Cook’s sharply honed prose packs an intellectual yet disturbing wallop. Be forewarned: Reading too many of these stories in...
Cook, who has worked on the radio show This American Life, debuts with 12 mercilessly in-your-face stories.
Many exist in a parallel universe where nature and/or society has become a menacing force. A woman living in a prisonlike “shelter for widows and other unwanteds” narrates the only moderately horrifying opening story, “Moving On.” Her Placement Team finds her a new husband once she starts following their rules for erasing memories of her past. The second story, “The Way the End of Days Should Be,” plunges into an apocalyptic world where floodwaters rise unstoppably. No escape is possible in “It’s Coming,” either, though the menace here remains unnamed and therefore even more frightening. Both stories have victims/protagonists whose wealth and authority, not to mention careful preparations, prove useless. Water returns as a prime enemy, at least initially, in the title story about three men whose fishing vacation and friendships go horribly wrong when they can’t find the supposedly nearby lakeshore. People’s need for connection continually gets trampled. Dangerously needy crowds collect like moths around the flame of a young woman’s good fortune in “The Mast Year.” “Somebody’s Baby” and “Marrying Up” evince primal maternal fears. In the former, a man steals babies whenever mothers let their guards down; in the latter, a woman’s healthy baby and husband brutalize her. In “A Wanted Man,” about loneliness more than sex, a man who can impregnate 50 women in a day is reminiscent of a TV Western gunslinger—admired, envied and marked by those who want to replace him. The erotic nature of teen friendship reaches demented lengths in “Girl on Girl.” The strongest, relatively most realistic and hopeful story, “Meteorologist Dave Santana,” follows a sexually predatory woman who stalks her neighbor for years while lying to herself that all she cares about is the chase.
Cook’s sharply honed prose packs an intellectual yet disturbing wallop. Be forewarned: Reading too many of these stories in one sitting may cause suicidal thoughts.Pub Date: Oct. 7, 2014
ISBN: 978-0-06-233310-0
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 12, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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