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BONJOUR, MY FRIEND

An engaging and often riveting story of love, idealism, and betrayal.

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In this debut novel, a young American singer discovers romantic intrigue and danger in Paris in 1960.

At age 19, Alycea Androvna is ready to pursue a career in music, a dream she nurtured throughout a childhood marked by tragedy and poverty. Born and raised in New York, she helped raise her siblings after the death of her alcoholic father. Following the death of her grandmother, she takes her inheritance and leaves New York for Paris, where she plans to spend a year establishing her singing career. A dedicated activist, she joins the Paris-based organization Belief in Animal Rescue Causes. She is hired as a singer at Le Restaurant Ledoyen and catches the eye of Andre Moreau, the owner, and his best friend, Marcus, the place’s business manager. Andre’s business interests also include his family’s cosmetics company, Chez Beauté. She develops a friendship with Marcus and his son, Henri, and discovers the warmth and stability of close family ties. At the same time, she is seduced by Andre’s charm and magnetism. After Alycea is injured in a bombing at BARC headquarters, Andre proposes marriage and she accepts. Andre hopes to start a family as soon as they marry, but Alycea wants to continue her singing career. As their wedding approaches, secrets about Chez Beauté threaten to destroy Alycea’s Paris dream. Helene’s novel is a sweeping romance with dynamic, multilayered characters and vivid settings that moves with the fast pace of a thriller. The story focuses on Alycea’s efforts to establish a singing career in Paris and the complex relationships she develops with Marcus and Andre. Alycea is a winsome heroine whose passion for music is matched by her love for animals and her commitment to their safety and protection. Her involvement with BARC establishes the groundwork for a well-developed subplot involving the group’s efforts to expose companies that engage in product testing on animals. The gripping narrative is told through chapters that alternate between the first-person perspectives of Alycea, Marcus, and Andre as well as several supporting characters, including Andre’s sister, Deirdre, and the heroine’s friends at BARC, Netty and Warren.

An engaging and often riveting story of love, idealism, and betrayal.

Pub Date: Oct. 4, 2016

ISBN: 978-1-4787-6888-3

Page Count: 420

Publisher: Outskirts Press

Review Posted Online: April 29, 2019

Kirkus Reviews Issue: June 1, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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