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DEAR ABIGAIL

THE INTIMATE LIVES AND REVOLUTIONARY IDEAS OF ABIGAIL ADAMS AND HER TWO REMARKABLE SISTERS

An intimate, deeply engaging method of following historic events.

Historical ramble through the Revolutionary era via middle sister and intermediary Abigail Adams (1744–1818), who married best.

The three Smith sisters of Weymouth, Mass., were inseparable growing up under their minister father and thrifty, charitable mother, and they were remarkably well-educated, as demonstrated by the copious, frequent letters they exchanged throughout their long lives. Liberally excerpted by Jacobs (Her Own Woman: The Life of Mary Wollstonecraft, 2001, etc.), the letters allow readers to plunge into the voices and milieus of these lively characters, who nonetheless were relegated to the sidelines, observing the great events of the new nation unfold while their husbands got to strut about the stage—underscoring how important it was to marry well. Mary, the oldest sister, caught the interest of the girls’ tutor, Richard Cranch, due to her “intelligence—not to mention her beauty and goodness,” and “their passion quickened as he took it upon himself to initiate all three young women into the pleasures of Enlightenment philosophy, epistolary novels, Milton, Pope, Shakespeare, and also some French.” However, Cranch did not pan out well as a scholarly fabricator and farmer, relegating Mary to a life of much scrimping, drudgery and childbearing. Youngest sister Elizabeth, of “keen sensibility and high spirits,” was fairly beaten down by her marriage to drunkard Calvinist John Shaw. Abigail, in contrast, married the imperious fireball John Adams, not exactly handsome but brilliant and ironically humorous and with wit to match Abigail’s own; her feminist writing, both to husband and sisters, crackles off the page. Readers will cheer when she is finally goaded out of her enforced provincialism by the need to join her husband in his diplomatic mission to Paris in 1784.

An intimate, deeply engaging method of following historic events.

Pub Date: March 1, 2014

ISBN: 978-0-345-46506-1

Page Count: 512

Publisher: Ballantine

Review Posted Online: Dec. 13, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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