by Diane Janes ‧ RELEASE DATE: Nov. 1, 2018
Although mystery mavens will quickly follow the clues to the solution, there are still plenty of red herrings, period charm,...
Star-crossed lovers do their best to solve a series of crimes.
Fran Black’s husband has left her for a lover he’s gotten pregnant. But Fran is loath to upset her conservative mother by getting a divorce, still a scandalous step in 1920s England. She’s in love with Tom Dod, who’s done the honorable thing by marrying the sweetheart of his brother, killed in the war, even though his gallant gesture has trapped him in his own loveless marriage. When Tom’s Aunt Hetty calls him about some strange happenings at St. Agnes Durley Dean, where the new vicar’s popish ways have divided the congregation, Fran and Tom jump at the opportunity to resume their sleuthing (The Magic Chair Murder, 2018, etc.). Several of the vicar’s severest critics have died in suspicious accidents. The first of them drowned in a pond. Hetty’s friend Miss Tilling was found at the bottom of the stairs along with a group of items pulled from a shelf, including a heavy statue presumed to have hit her in the head. The most recent victim is Mrs. Ripley, the bank manager’s wife, a hypochondriac whose stomach problems, which everyone had assumed to be imaginary, suddenly killed her. Dr. Owen has certified all the deaths as natural or accidental, but when the police get a letter accusing Mr. Ripley of murdering his wife, her body is exhumed and found to contain arsenic. Once Ripley is arrested, the sleuthing duo is asked by his family to prove him innocent, a job that proves to be no easy feat.
Although mystery mavens will quickly follow the clues to the solution, there are still plenty of red herrings, period charm, and a love story to keep them reading.Pub Date: Nov. 1, 2018
ISBN: 978-0-7278-8819-8
Page Count: 208
Publisher: Severn House
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Leonie Swann & translated by Anthea Bell ‧ RELEASE DATE: June 5, 2007
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...
Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.
For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.Pub Date: June 5, 2007
ISBN: 978-0-385-52111-6
Page Count: 368
Publisher: Flying Dolphin/Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
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by Leonie Swann ; translated by Amy Bojang
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