Asa Coppermane’s Viking chieftain father and all the other able-bodied men are away searching for food, her feverish mother is near death and her older brothers are already dead and stacked in one of the barns, awaiting spring thaw for burial. Seeing opportunity, Jorgen the skald, the smelly, repugnant, manipulative storyteller, seeks both power and the remaining livestock, so it’s up to the 14-year-old redhead to rescue her aged, beloved horse, Rune, and what remains of her dwindling, starving clan. As Wenda, a reclusive, one-eyed seer who can communicate with ravens, helps the teen prepare to battle Jorgen and reclaim her family’s position, she also shows Asa that there’s a price to pay for her decisions. While the focus is on the girl’s turmoil, occasional chapters from Jorgen’s and Wenda’s perspectives provide further insight into their motivations. Wilson’s dramatic prose brings to life the harsh conditions of life along the wintry, rocky seashore, Rune’s indomitable spirit and Asa’s fierce determination. Classic storytelling. (Historical fiction. 10-14)
Pub Date: April 20, 2010
ISBN: 978-1-4169-8653-9
Page Count: 256
Publisher: McElderry
Review Posted Online: Dec. 31, 2010
Kirkus Reviews Issue: March 15, 2010
Sofia, growing up in an urban Latino neighborhood in McAllen, Texas, has a chance to attend an expensive boarding school in Austin on scholarship. Like her father, Sofia lives the life of the mind, rich with story and possibility. How can she convince her mother to let her take this opportunity? By learning to dance and showing her that she can leave home and still learn to become a good comadre. Canales, the author of the story collection Orange Candy Slices and Other Secret Tales (2001), is a graduate of Harvard Law School, suggesting that Sofia’s story at least closely parallels her own. She is an accomplished storyteller, though not yet, perhaps, a successful novelist. The episodic narrative has disconcerting leaps in time at the beginning, and a sense of completion, or a moral displayed, at several points throughout—all lacking the tension to carry the reader forward. This said, the characters and setting are so real to life that readers who connect with Sofia at the start will find many riches here, from a perspective that is still hard to find in youth literature. (Fiction. 10-14)
Pub Date: Aug. 9, 2005
ISBN: 0-385-74674-1
Page Count: 176
Publisher: Wendy Lamb/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK REVIEW
This is a minor quibble with a story that imagines so clearly for American readers the travails of all-too-many Latin...
A 12-year-old girl bears witness to the Dominican Revolution of 1961 in a powerful first-person narrative.
The story opens as Anita’s cousins (the Garcia girls of Alvarez’s 1991 adult debut, How the Garcia Girls Lost Their Accents), hurriedly pack to leave the country. This signals the end of childhood innocence for Anita. In short succession, her family finds the secret police parked in their driveway; the American consul moves in next door; and her older sister Lucinda is packed off to join her cousins in New York after she attracts the unwelcome attention of El Jefe Trujillo, the country’s dictator. Anita’s family, it seems, is intimately involved with the political resistance to Trujillo, and she, perforce, is drawn into the emotional maelstrom. The present-tense narrative lends the story a gripping immediacy, as Anita moves from the healthy, self-absorbed naïveté of early adolescence to a prematurely aged understanding of the world’s brutality. Her entree into puberty goes hand in hand with her entree into this adult world of terror: “I don’t want to be a señorita now that I know what El Jefe does to señoritas.” According to an author’s note, Alvarez (How Tía Lola Came to Visit Stay, 2001, etc.) drew upon the experiences of family members who stayed behind in the Dominican Republic during this period of political upheaval, crafting a story that, in its matter-of-fact detailing of the increasingly surreal world surrounding Anita, feels almost realer than life. The power of the narrative is weakened somewhat by the insertion of Anita’s diary entries as she and her mother take shelter in the Italian Embassy after her father’s arrest. The first-person, present-tense construction of the diary entries are not different enough from the main narrative to make them come alive as such; instead, the artifice draws attention to itself, creating a distraction.
This is a minor quibble with a story that imagines so clearly for American readers the travails of all-too-many Latin nations then and now. (Fiction. 10-14)Pub Date: Aug. 13, 2002
ISBN: 0-375-81544-9
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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