RAVEN SPEAK

Asa Coppermane’s Viking chieftain father and all the other able-bodied men are away searching for food, her feverish mother is near death and her older brothers are already dead and stacked in one of the barns, awaiting spring thaw for burial. Seeing opportunity, Jorgen the skald, the smelly, repugnant, manipulative storyteller, seeks both power and the remaining livestock, so it’s up to the 14-year-old redhead to rescue her aged, beloved horse, Rune, and what remains of her dwindling, starving clan. As Wenda, a reclusive, one-eyed seer who can communicate with ravens, helps the teen prepare to battle Jorgen and reclaim her family’s position, she also shows Asa that there’s a price to pay for her decisions. While the focus is on the girl’s turmoil, occasional chapters from Jorgen’s and Wenda’s perspectives provide further insight into their motivations. Wilson’s dramatic prose brings to life the harsh conditions of life along the wintry, rocky seashore, Rune’s indomitable spirit and Asa’s fierce determination. Classic storytelling. (Historical fiction. 10-14)

Pub Date: April 20, 2010

ISBN: 978-1-4169-8653-9

Page Count: 256

Publisher: McElderry

Review Posted Online: Dec. 31, 2010

Kirkus Reviews Issue: March 15, 2010

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THE BOY IN THE STRIPED PAJAMAS

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin. The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyle’s narrative; others will believe it was the wrong choice. Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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Not much forward momentum but a tasty array of chills, thrills, and chortles.

A MAP OF DAYS

From the Peculiar Children series , Vol. 4

The victory of Jacob and his fellow peculiars over the previous episode’s wights and hollowgasts turns out to be only one move in a larger game as Riggs (Tales of the Peculiar, 2016, etc.) shifts the scene to America.

Reading largely as a setup for a new (if not exactly original) story arc, the tale commences just after Jacob’s timely rescue from his decidedly hostile parents. Following aimless visits back to newly liberated Devil’s Acre and perfunctory normalling lessons for his magically talented friends, Jacob eventually sets out on a road trip to find and recruit Noor, a powerful but imperiled young peculiar of Asian Indian ancestry. Along the way he encounters a semilawless patchwork of peculiar gangs, syndicates, and isolated small communities—many at loggerheads, some in the midst of negotiating a tentative alliance with the Ymbryne Council, but all threatened by the shadowy Organization. The by-now-tangled skein of rivalries, romantic troubles, and family issues continues to ravel amid bursts of savage violence and low comedy (“I had never seen an invisible person throw up before,” Jacob writes, “and it was something I won’t soon forget”). A fresh set of found snapshots serves, as before, to add an eldritch atmosphere to each set of incidents. The cast defaults to white but includes several people of color with active roles.

Not much forward momentum but a tasty array of chills, thrills, and chortles. (Horror/Fantasy. 12-14)

Pub Date: Oct. 2, 2018

ISBN: 978-0-7352-3214-3

Page Count: 496

Publisher: Dutton

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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