by Diane Middlebrook ‧ RELEASE DATE: Oct. 13, 2003
Some somber new brushstrokes darken an already dismal painting. (37 b&w illustrations)
Another examination of the passion, poetry, infidelity, depression, ambition, lies, and suffering that have made Ted Hughes and Sylvia Plath the most notorious couple in modern literary history.
Middlebrook (Anne Sexton, 1991, etc.) did much research for this latest brick in the now-imposing edifice of material about Plath and Hughes. She examined the Hughes papers, now available to scholars at Emory University, as well as the Plath archive at Smith College. She refers early and often, as well, to Hughes’s two 1998 volumes dealing with Plath, Birthday Letters and the lesser-known Howls and Whispers, which appeared in an edition of 110 copies. Middlebrook endeavors to withhold judgment about Hughes’s behavior with Plath and her successors, but his actions as a serial adulterer speak quite eloquently. As does his poetry, from which the author quotes liberally. She speculates about the “disappearance” of some key Plath material, about the contents of a trunk at Emory that cannot be opened until 2023, and about the causes of Plath’s 1963 suicide. Her conclusion about the latter? Depression—hardly a novel insight. Middlebrook begins with the 1956 meeting of her two principals and then moves steadily forward to Hughes’s 1998 death from heart failure and cancer, though some chapters loop to revisit and modify earlier segments. The author makes insightful comments about each poet’s writing, about their individual artistic growth, and about their collaborations: before their break-up, in their impecunious days, they regularly read each other’s work and even composed at the same table. Middlebrook sensitively shows how each helped fashion the other, though some of her psychological observations sound a bit loopy, e.g., he is a “poet-shaman, journeying in the psychological murk of fear and detestation of the female.”
Some somber new brushstrokes darken an already dismal painting. (37 b&w illustrations)Pub Date: Oct. 13, 2003
ISBN: 0-670-03187-9
Page Count: 416
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2003
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BOOK REVIEW
by Larry Bird & Earvin “Magic” Johnson Jr. with Jackie MacMullan ‧ RELEASE DATE: Nov. 4, 2009
Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.
NBA legends Bird and Johnson, fierce rivals during their playing days, team up on a mutual career retrospective.
With megastars LeBron James and Kobe Bryant and international superstars like China’s Yao Ming pushing it to ever-greater heights of popularity today, it’s difficult to imagine the NBA in 1979, when financial problems, drug scandals and racial issues threatened to destroy the fledgling league. Fortunately, that year marked the coming of two young saviors—one a flashy, charismatic African-American and the other a cocky, blond, self-described “hick.” Arriving fresh off a showdown in the NCAA championship game in which Johnson’s Michigan State Spartans defeated Bird’s Indiana State Sycamores—still the highest-rated college basketball game ever—the duo changed the course of history not just for the league, but the sport itself. While the pair’s on-court accomplishments have been exhaustively chronicled, the narrative hook here is unprecedented insight and commentary from the stars themselves on their unique relationship, a compelling mixture of bitter rivalry and mutual admiration. This snapshot of their respective careers delves with varying degrees of depth into the lives of each man and their on- and off-court achievements, including the historic championship games between Johnson’s Lakers and Bird’s Celtics, their trailblazing endorsement deals and Johnson’s stunning announcement in 1991 that he had tested positive for HIV. Ironically, this nostalgic chronicle about the two men who, along with Michael Jordan, turned more fans onto NBA basketball than any other players, will likely appeal primarily to a narrow cross-section of readers: Bird/Magic fans and hardcore hoop-heads.
Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.Pub Date: Nov. 4, 2009
ISBN: 978-0-547-22547-0
Page Count: 352
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
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by Susanna Kaysen ‧ RELEASE DATE: June 1, 1993
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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