A beautifully illustrated, peaceful song of family, community, and new birth. (Picture book. 3-7)
A celebration of colors through a full cycle of the seasons.
This rhyming, lyrical story opens with a blue-eyed, dark-skinned mother and child enjoying the yellow flowers in a grassy green meadow with the father riding horseback nearby and a lighthouse on the coast in the background. The text accompanying each seasonal sequence includes a refrain that focuses on the colors: “yellow on green” for springtime. The rhythmic text practically sings of the shifting seasons, as spring turns to summer, summer to fall, and so on, while the matte illustrations reveal the child’s curiosity, the family’s bonds, and the mother’s growing roundness as they all prepare for the birth of a baby. A summer trip to the beach brings “turquoise, teal, and blue on green”; “toasty and warm” “cinnamon, almond, and brown on green” abound in fall; winter comes with “gray and taupe and white on green”; and spring sees the addition of a new family member. Since every season includes green, it remains a touchpoint and a refrain throughout. Insects and animals, including the family dog, show up on most pages, giving detail-oriented readers lots to explore. Sala’s intentional inclusion of diversity in this rural community, as folks gather for activities and events, offers mirrors for many kinds of readers and emphasizes the richness of cross-cultural sharing.
A beautifully illustrated, peaceful song of family, community, and new birth. (Picture book. 3-7)Pub Date: March 17, 2020
ISBN: 978-1-4814-6278-5
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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