A beautifully illustrated, peaceful song of family, community, and new birth. (Picture book. 3-7)
A celebration of colors through a full cycle of the seasons.
This rhyming, lyrical story opens with a blue-eyed, dark-skinned mother and child enjoying the yellow flowers in a grassy green meadow with the father riding horseback nearby and a lighthouse on the coast in the background. The text accompanying each seasonal sequence includes a refrain that focuses on the colors: “yellow on green” for springtime. The rhythmic text practically sings of the shifting seasons, as spring turns to summer, summer to fall, and so on, while the matte illustrations reveal the child’s curiosity, the family’s bonds, and the mother’s growing roundness as they all prepare for the birth of a baby. A summer trip to the beach brings “turquoise, teal, and blue on green”; “toasty and warm” “cinnamon, almond, and brown on green” abound in fall; winter comes with “gray and taupe and white on green”; and spring sees the addition of a new family member. Since every season includes green, it remains a touchpoint and a refrain throughout. Insects and animals, including the family dog, show up on most pages, giving detail-oriented readers lots to explore. Sala’s intentional inclusion of diversity in this rural community, as folks gather for activities and events, offers mirrors for many kinds of readers and emphasizes the richness of cross-cultural sharing.
A beautifully illustrated, peaceful song of family, community, and new birth. (Picture book. 3-7)Pub Date: March 17, 2020
ISBN: 978-1-4814-6278-5
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
A charmingly illustrated and designed work that will have trouble finding its readership.
Each letter of the alphabet gets fresh and fancy in this primer from typography guru Hische.
“Letters can be A-for-Athletic,” “J-for-Jeweled,” or “U-for-Unique,” but one thing’s for sure: “Each and every letter is AWESOME!” On each page, lowercase letters are rendered in pastel 3D block lettering, while uppercase counterparts take on stylized typographic pizzazz to match the descriptive text, which features lively adjectives that begin with the corresponding letter. Each anthropomorphized letter has a simple, expressive doodled face and stick limbs. Lowercase b uses a tiny bubble wand to blow a soapy, uppercase bubbly B. Uppercase M is drawn with curling serifs and a rabbit-filled top hat and a wand, much to the delight of the lowercase m spectator. Each scene is colorfully detailed, though visually a bit flattened by the stark white background. While the design is inspired, however, it isn’t clear who this book is intended for. The intricacies of the art may go over the heads of readers learning their ABCs; older children and typography-loving adults, as well as fans of Hische’s work, feel like this book’s true audience. Those readers may find the presentation and format a bit on the young side, while preschoolers will likely struggle with words such as vibrant, prickly, and electric.
A charmingly illustrated and designed work that will have trouble finding its readership. (Picture book. 3-7)Pub Date: Oct. 22, 2024
ISBN: 9780593385012
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A solid, small step for diversifying STEM stories.
What does Annie want to be?
As career day approaches, Annie wants to keep her job choice secret until her family sees her presentation at school. Readers will figure it out, however, through the title and clues Tadgell incorporates into the illustrations. Family members make guesses about her ambitions that are tied to their own passions, although her brother watches as she completes her costume in a bedroom with a Mae Jemison poster, starry décor, and a telescope. There’s a celebratory mood at the culminating presentation, where Annie says she wants to “soar high through the air” like her basketball-playing mother, “explore faraway places” like her hiker dad, and “be brave and bold” like her baker grandmother (this feels forced, but oven mitts are part of her astronaut costume) so “the whole world will hear my exciting stories” like her reporter grandfather. Annie jumps off a chair to “BLAST OFF” in a small illustration superimposed on a larger picture depicting her floating in space with a reddish ground below. It’s unclear if Annie imagines this scene or if it’s her future-self exploring Mars, but either scenario fits the aspirational story. Backmatter provides further reading suggestions and information about the moon and four women astronauts, one of whom is Jemison. Annie and her family are all black.
A solid, small step for diversifying STEM stories. (Picture book. 4-7)Pub Date: March 6, 2018
ISBN: 978-0-88448-523-0
Page Count: 36
Publisher: Tilbury House
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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