by Dianne Young & illustrated by John Martz ‧ RELEASE DATE: March 1, 2012
There is much fun to be had sounding out words and guessing at their meaning and roots, as planet Harbat’s jabberwocky...
It may have a loose tarsnaggle, a sticky megalad and a hole in the flyjacker, but Frazzle’s Model 7 spaceship is positively flixsome.
A little alien—with his one great dewy eye, he's a dear, cyclopean ant-head—gets a flyary (diary) for his dropday (birthday), which he duly fills with the joys and travails of his first spaceship. Same as it ever was: The spaceship works like a dream for a few months, then starts to give Frazzle the vapors when it starts make strange noises. Good old Wurpitz Hoolo, the whiz mechanic, assures him that Model 7s are known for their harmless, if odd boinks, piffles and ticks. Young lards the text with enough otherworldly words—noteymaker to exboom to peepered—to keep readers on their toes and to beef up what is essentially a story about remaining true to your old and trusty friends, in this case a spaceship that gradually turns from sleek sky-streaker to old jalopy (“But I still bigheart my little ‘rugger’ Model 7,” says Frazzle), despite the flash and dazzle of the new. Adding to the endearment factor are Martz’s illustrations, as shiny and color-shot as ribbon candy, from Hoolo’s classic mechanic’s shop to the traffic jam on the flyway.
There is much fun to be had sounding out words and guessing at their meaning and roots, as planet Harbat’s jabberwocky attests. (Picture book. 4-8)Pub Date: March 1, 2012
ISBN: 978-1-55453-488-7
Page Count: 32
Publisher: Kids Can
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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by Dianne Young ; illustrated by Brian Crane
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Randall de Sève ; illustrated by Carson Ellis
BOOK REVIEW
by Mac Barnett ; illustrated by Carson Ellis
BOOK REVIEW
by Carson Ellis ; illustrated by Carson Ellis
by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
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by Tom Lichtenheld & Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld
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by Amy Krouse Rosenthal ; illustrated by Mike Yamada
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