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PRETTY POLLY

A parrot is too expensive, so Abby decides to teach one of the farmyard hens to talk. Patience is rewarded: "Pretty Polly" first speaks at four months and soon has a large vocabulary whose use, like a parrot's, may happen to be relevant but is basically random. Still, Abby loves Polly and is fully engaged in her life's natural dramas. When a fox attacks, Polly is the sole survivor among her siblings; Dad, who persists in seeing her money-making potential (though he has agreed that Polly belongs to Abby), provides a cockerel and a new generation is hatched, but none with Polly's gift. The rumor of a talking hen gets out; there are encounters with a journalist and an elderly duke, who imagines that Abby is an extraordinary ventriloquist. The family's proper respect for his grace, tempered with sensible egalitarianism, provides some humor, as does Abby's little brother Bob, whose reasonable misuse of language contrasts delightfully with Polly's parroting. All in all, a typical King-Smith treat, with a well-realized British farm setting, amusing dialogue, and an appealing premise developed with logic and good humor. Illustrations not seen; unfortunately, the jacket art is rather wooden in style and differs in detail from the text. (Fiction. 5-11)

Pub Date: Sept. 1, 1992

ISBN: 0-517-58606-1

Page Count: 120

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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