Perfectly pleasant, mildly diverting and forgettable—kind of like an episode of Diagnosis: Murder.
A song and dance man of the first order looks back.
Van Dyke breezily recounts his adventures as a straight-down-the-middle “square” and family man navigating the vicissitudes of show business in this slight memoir, which highlights the strengths and pitfalls of the performer’s signature amiability. The author is unfailingly pleasant company on the page, and his low-stakes anecdotes and fond remembrances go down easily. But his unwillingness or inability to confront the uglier aspects of life (and particularly life in Hollywood) ultimately makes for a rather bland repast. It’s not as if Van Dyke lacked material; his well-publicized battle with alcoholism and the dissolution of his longtime marriage would seem ripe for serious introspection, but this is not the author’s style. He addresses the issues forthrightly but with a scrupulous lack of salaciousness or soul-searching or anything approaching a strong emotional response. Van Dyke is clearly happiest relating amusing anecdotes about his Midwestern boyhood, struggling early days in show business and his successes in such classic examples of all-American family entertainment as Bye Bye Birdie, Mary Poppins and the deathless Dick Van Dyke Show, still a high-water mark in the history of TV comedy. Van Dyke heaps love and praise on collaborators like Carl Reiner and Mary Tyler Moore, who surely deserve it, but the unremitting niceness becomes numbing, to the extent that a couple of bawdy incidents involving actress Maureen Stapleton stand out as Caligula-like descents into depravity by comparison. The author’s earnest, boyish persona anchored his astounding gifts as a physical performer—his rubber-limbed pratfalls, fleet dancing and instinctive genius with bits of comedy “business” are justly revered—but absent this physical dimension, Van Dyke here is earnestly, boyishly…dull.
Perfectly pleasant, mildly diverting and forgettable—kind of like an episode of Diagnosis: Murder.Pub Date: May 3, 2011
ISBN: 978-0-307-59223-1
Page Count: 320
Publisher: Crown Archetype
Review Posted Online: Feb. 10, 2011
Kirkus Reviews Issue: Feb. 15, 2011
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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